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研究生: 黃柔慈
Huang, Jou-Tzu
論文名稱: 莉莉.布朗惹聯篇歌曲《天空裡的清澄》之分析與詮釋
The Analysis and Interpretation of Lili Boulanger’s Song Cycle: Clairières dans le ciel
指導教授: 楊艾琳
Yang, Ai-Lin
學位類別: 碩士
Master
系所名稱: 音樂學系
Department of Music
論文出版年: 2018
畢業學年度: 106
語文別: 中文
論文頁數: 128
中文關鍵詞: 莉莉.布朗惹女性作曲家《天空裡的清澄》羅馬大獎
英文關鍵詞: Lili Boulanger, Female composer, Clairières dans le ciel, Prix de Rome
DOI URL: http://doi.org/10.6345/THE.NTNU.DMU.048.2018.A10
論文種類: 學術論文
相關次數: 點閱:180下載:15
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  • 莉莉.布朗惹 (Lili Boulanger, 1893-1918) 為法國二十世紀初期重要作曲家,身處時代交替的「世紀末」(fin de siècle),受到法國浪漫派音樂、日耳曼創新和聲與象徵派語法影響,開創自我風格,為二十世紀法國音樂帶來嶄新的一頁。本論文以布朗惹的聯篇歌曲《天空裡的清澄》(Clairières dans le ciel) 為主軸,藉由文獻探討,理解其創作背景,並提供曲集中十三首歌曲的中譯與故事情節;透過樂曲分析,瞭解音符下蘊藏的詩意,並以此做演唱詮釋之建議。
      此曲集歌詞皆選自象徵派詩人馮西.雅姆 (Francis Jammes, 1868-1938) 的詩集《憂傷》(Tristesses),其具有關聯性的故事編排,多樣化的情感展現,加上布朗惹成熟的寫作手法,讓此作品成為一完整故事且富有戲劇張力的聯篇歌曲。她運用貫穿整曲集的主導動機 (leitmotiv)、樂曲間的調性關係與素材再現,將之串聯。透過音樂表現一致性,使之成為完整的聯篇歌曲集。
      從此組作品中,可發現布朗惹的音樂風格與寫作手法。她善於使用音畫描繪詩詞,並藉由改變拍號刻劃心境轉變;速度表情記號與聲音指示明確,鋼琴伴奏大量反映歌曲情感,並以不同織度表現強烈的戲劇張力。筆者也以自身演唱經驗給予詮釋建議,期能對有意演唱此作品的歌者,有所助益。

    Lili Boulanger (1893-1918) was an important French composer of the early twentieth century. Inspired and influenced by French romantic music, Germanic innovative harmony and symbolic techniques, Boulanger created her own style and brought a whole new generation to the French music in the fin-de-siècle period. In this study, Boulanger’s song cycle, Clairières dans le ciel, is taken as the focus. Through the literature review, the creation context of this song cycle is explained along with the Chinese translation of the lyrics and stories of the thirteen songs. Furthermore, the analysis of composition is conducted to understand the poetry behind the notes and used as the suggestions for song interpretation.
    The lyrics of this song cycle were all selected from Tristesses, a poetry collection by symbolist Francis Jammes (1868-1938). With a relevant arrangement of stories and a variety of emotions, coupled with Boulanger’s mature composition, this piece of work became a song cycle with a complete story plot and a dramatic tension. Boulanger cleverly connected all the dots of the songs, including the leitmotiv through the whole song cycle, the tonality between each song and the material reproduction, making the songs into a complete song cycle by representing the consistency of the music.
    From this song cycle, it can be easily to observe Boulanger’s music style and composition techniques. She is good at applying the tone-painting technique to describe poetry, using different time signatures to characterize the mood changes, giving clear instructions on tempo, expression marks and sounds, accentuating piano accompaniment to reflect the emotions of the songs, and introducing different textures to create strong dramatic tensions. Through the self singing experience, the author also gives interpretations and suggestions, hoping to help other singers who are interested in singing this piece of work.

    第一章 緒論 1 第一節 研究動機與目的 1 第二節 論文架構 3 第二章 世紀末的法國 4 第三章 莉莉.布朗惹之生平與創作特色 7 第一節 生平 7 第二節 作品與創作風格 13 第四章 詩人馮西.雅姆 18 第一節 生平與創作特色 18 第二節 《憂傷》創作背景 22 第五章 聯篇歌曲《天空裡的清澄》之分析與詮釋 24 第一節 《天空裡的清澄》創作背景 24 第二節 〈她沿著下坡走到草地深處〉(Elle était descendue au bas de la prairie) 27 第三節 〈她神聖且歡愉〉(Elle est gravement gaie) 33 第四節 〈有時,我很憂傷〉(Parfois, je suis triste) 40 第五節 〈詩人說〉(Un poète disait) 48 第六節 〈在我的床腳〉(Au pied de mon lit) 56 第七節 〈如果這一切只是場可悲的夢〉(Si tout ceci n’est qu’un pauvre rêve) 63 第八節 〈我們將會深愛彼此〉(Nous nous aimerons tant) 70 第九節〈妳以靈魂注視我〉(Vous m’avez regardé avec toute votre âme) 76 第十節 〈紫丁香在去年盛開〉(Les lilas qui avaient fleuri) 80 第十一節 〈兩株夢幻草〉(Deux ancolies) 88 第十二節 〈因為我曾痛苦〉(Par ce qui j’ai souffert) 95 第十三節 〈我存留她的紀念章〉(Je garde un médaille d’elle) 102 第十四節 〈明天將是一年〉(Demain fera un an) 106 第六章 結論 121 參考資料 127

    中文專書
    Jammes, Francis. 《春花的葬禮》。劉楠祺 譯。上海:上海文藝出版社,2014。

    陳漢金。《您說是印象派音樂?德布西的室內樂與管弦樂》。台北:中正文化,2008。

    外文專書
    Beer, Anna. Sounds and Sweet Airs: The Forgotten Women of Classical Music. London:
    Oneworld Publications, 2016.

    Jezic, Diane Pracock. Woman Composers: The Lost Tradition Found. 2nd ed. Edited by
    Elizabeth Wood. New York: The Feminist Press, 1994.

    Johnson, Graham and Richard Stokes. A French Song Companion. New York: Oxford
    University Press, 2000.

    Lowell, Amy. Six French Poets: Studies in Contemporary Literature. New York: The
    Macmillan Company, 1967.

    Potter, Caroline. Nadia and Lili Boulanger. New York: Ashgate, 2006.

    Rosenstiel, Léonie. The Life and Works of Lili Boulanger. Cranbury, New Jersey: Associated
    University Press, 1978.

    Nuernberger, Kathryn and Bruce Whiteman. Francis Jammes: On the Life and Work of a
    Modern Master. Missouri: Pleiades Press, 2014.

    學術論文
    朱如鳳。〈莉莉‧布朗惹世俗合唱作品分析與詮釋〉。國立中山大學碩士論文,2012。

    Fehr, Emily. “Clairières dans le ciel by Lili Boulanger: A Portrait of Self-Identification.” D.
    M. A. diss., University of Minnesota, 2002.

    Kyriakos, Mary Beth. “Clairières dans le ciel by Lili Boulanger: An Historical and Analytical
    Study.” D.M.A. diss., University of Texas at Austin, 1994.

    Piercey, Courtney Alexandra. “Words and Music: The Revolutionary Partnership Between Lili
    Boulanger and Francis Jammes.” D. M. A. diss., Arizona State University, 2010.

    期刊

    Dopp, Bonnie Jo. “Numerology and Cryptography in the Music of Lili Boulanger: The
    Hidden Program in Clairières dans le ciel.” The Musical Quarterly, Vol. 78 No. 3 (Autumn, 1994): 556–583.

    Fauser, Annegret. “Lili Boulanger’s ‘La princesse Maleine’: A Composer and Her Heroine as
    Literary Icons” Journal of the Royal Musical Association, Vol. 122 No.1(1997): 68-108.

    Palmer, Christopher. “Lili Boulanger, 1893-1918.” The Musical Times,Vol. 109 No. 1501
    (March, 1968): 227-228.

    樂譜

    Boulanger, Lili. Clairières dans le ciel. Florida: Masters Music Publications, 1999.

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