本篇論文除了蒐集作曲者希達斯（Hidas Frigyes, 1928-2007）中外文文字資料外，筆者將透過和聲分析希達斯在《雙簧管協奏曲》中的段落結構，找尋希達斯所擅長使用的作曲手法與其他作曲家有何不同。並分析和聲進行對於主旋律造成的變化，找出和弦色彩與主題和聲進行的關係。將曲式結構加以表格方式呈現並加以分析；將對樂曲中較為特殊的段落輔以筆者的經驗以及詮釋加以解說。期盼這個研究可以讓後人對希達斯、匈牙利音樂的發展、或是此首《雙簧管協奏曲》有更深的體會，更多的了解。

In this thesis, in addition to collecting information about the composer Hidas Frigyes (1928-2007) via literature research in various languages, the author will analyze the structure of Hidas' Oboe Concerto through harmony analysis, to unterstand Hidas' compositional techniques and the difference between him and other composers. Musical form and harmony analysis will be present in table format. Special sections of the piece will be explained with the author's own experience and interpretations. The author hopes this study allows the future generations to better understand Hidas' music and Hungarian music as a whole.

一、樂譜
Hidas, Frigyes. Concerto For Oboe and Orchestra: Arrangement For Oboe and Piano. Budapest: Editio Musica Budapest, 1955.
二、中文書籍
徐頌仁著。音樂演奏的實際探討。全音樂譜出版社，民國76年。
劉志明著。西洋音樂史與風格。全音樂譜出版社，民國82年。
孫清吉著。樂學原論。全音樂譜出版社，民國82年。
三、中文譯本
Stein, Leon.《音樂的結構與風格：音樂形式的分析與研究》(Structure and Style: The study and analysis of musical forms)。潘皇龍 譯。台北：全音，1975。
二、西文書籍
Campbell, Gary. Triad Pairs for Jazz: Practice and Application for the Jazz Improvisor. N.p.: Alfred, 2001.
Sadie, Stanley, and John Tyrrell, eds. The New Grove Dictionary of Music and Musicians. 2nd ed. London: Macmillan Publishers, 2001.
三、西文論文
Hendrickson, Steven M. “Frigyes Hidas: An Analysis and Discussion of Selected Works For Trombone.” DMA diss., The University of Texas at Austin, December, 1998.
四、西文期刊
Kroó, György. “New Hungarian Music.” Notes 39, no. 1 (Sep., 1982): 43-71.
Levine, Mark. The Jazz Piano Book. Petaluma, CA: Sher Music, 1990.
Walsh, Stephen. “An Outsider's View.” Tempo no. 88 (Spring, 1969): 38-47.
五、影音資料
Lajos Lencses, Hidas / Balassa / Soproni: Oboe Concertos, in the Naxos Music Library, http://www.naxosmusiclibrary.com/catalogue/item.asp?cid=HCD32536 
(accessed November 29, 2011).