在莫札特的所有鋼琴協奏曲作品中，幾乎都是獨奏鋼琴協奏曲，只有K.242和K.365是他僅有的兩首多鋼琴協奏曲，其中的K.242是莫札特唯一的一首三鋼琴協奏曲暨協奏交響曲，K.365也是其僅有的一首雙鋼琴協奏曲暨協奏交響曲，這兩首莫札特薩爾茲堡時期的作品魅力何在，與莫札特的獨奏鋼琴協奏曲有什麼異同之處，以及彼此間差異與相互關係為何，兩部作品在這些層面有相當多的討論空間，也是本文主要的論述重點。
本文共分緒論、六大章與結論。緒論是說明研究的動機、目的、範圍與方法；第一章是敘述古典時期協奏曲的發展與沿革；第二章是針對莫札特生平與創作的闡述，其中也會特別說明作曲家在每個時期不同的鋼琴協奏曲創作特點；第三至第五章則是兩首多鋼琴協奏曲的樂曲分析，也包含了莫札特於1776年所創作的兩首獨奏鋼琴協奏曲K.238與K.246第一與第三樂章之曲式分析；第六章是探討兩部作品第一至第三樂章的鋼琴技巧；結論則是總結莫札特兩首多鋼琴協奏曲各層面的研究成果。

Most of Mozart’s Piano Concertos are practically Solo-Piano Concertos except K.242 and K.365. These two pieces are the only Multi-Piano Concertos in all of his works. K.242 is the solely Three-Piano Concerto and Symphonie Concertante besides, K.365 is the one and only Two-Piano Concertos and Symphonie Concertante. These two pieces are composed from Mozart’s Salzburg period. What is the charm in both of them? What is difference between these two and other Mozart’s Concertos ? What is the correlation between these two ? There are plenty of discussions from above-mentioned aspects and they are critically the points which this thesis wants to talk about.

This thesis includes introduction, six chapters and conclusion. There are motivation, purpose, scope and method in the introduction. The first Chapter is about developments and evolutions of the Concertos in Classical period. The second Chapter describes Mozart’s life and his compositions, which we specifically indicate the features of Concertos in different periods. The third to fifth Chapter is the Musical Analysis of these two Multi-Piano Concertos and Analysis of Form of The first and the third movements of Solo-Piano Concertos K.238 and K.246 which are composed in 1776 are also included. The sixth Chapter is about the piano skills of these two pieces from the first to the third movement. The conclusion summarizes the research of these two Multi-Piano Concertos K.242 and K.365 from various aspects.

中文書籍
音樂之友社 編。《新訂標準音樂辭典A-L》。林勝儀 譯。台北：美樂，2007。
音樂表演用語詞典編寫組。《音樂表演用語詞典》。台北：世界文物，1994。
錢仁康 編譯。《我是你的莫札特—莫札特書信集》。台北：聯經，2006。

外文書籍
Abert, Hermann. W. A. Mozart. Translated by Stewart Spencer. New Haven: Yale University Press, 2007.
Burkholder, J. Peter, Donald J. Grout and Claude V. Palisca. A History of Western Music. 7th ed. New York: W. W. Norton & Company, 2006.
Burkholder, J. Peter, Donald J. Grout and Claude V. Palisca. A History of Western Music. 9th ed. New York: W. W. Norton & Company, 2014.
Deutsch, Otto Erich. Mozart- A Documentary Biography. Translated by Eric Blom, Peter Branscombe and Jeremy Noble. London: Simon & Schuster Ltd., 1990.
Einstein, Alfred. Mozart His Character, His Work. New York: Oxford University Press, 1945.
Fubini, Enrico. Music and Culture in Eighteenth-Century Europe: A Source Book. Translated by Bonnie J. Blackburn. Chicago: University of Chicago Press, 1994.
Girdlestone, C. M. Mozart’s Piano Concertos. New York: Dover Publications, INC., 1964.
Hinson, Maurice. Music for Piano and Orchestra－an Annotated Guide－Enlarged Edition. Bloomington: Indiana University Press, 1993.
Hutchings, Arthur. A Companion to Mozart’s Piano Concertos. Oxford: Oxford University Press, 1998.
Irving, John. Mozart’s Piano Concertos. Aldershot: Ashgate Publishing Limited, 2003.
Keefe, Simon P. Mozart’s Piano Concertos—Dramatic Dialogue in The Age of Enlightenment. Woodbridge: The Boydell Press, 2001.
Landon, H. C. Robbings. Mozart and Vienna. New York: Schirmer Books, 1991.
Lawson, Colin. The Cambridge Companion to the Orchestra. Cambridge: Cambridge University Press, 2003.
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Randel, Don Michael. The Harvard Dictionary of Music, Fourth ed. Cambridge: The Belknap Press of Harvard University Press, 2003.
Roeder, Michael Thomas. A History of the Concerto. Hong Kong: Amadeus Press, 1994.
Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: W. W. Norton, 1998.
Rushton, Julian. W. A. Mozart: Idomeneo. Cambridge: Cambridge University Press, 1993.
Sadie, Stanley. Wolfgang Amadè Mozart: Essays on His Life and His Music, Oxford: Oxford University Press, 1996.
Wellesz, Egon and Frederick Sternfeld. Concert Music: The Age of Enlightenment 1745-1790. Oxford: Oxford University Press, 1986.

學術論文
呂瑀棻。〈莫札特小提琴與鋼琴奏鳴曲創作風格的演變與研究〉。國立臺灣師範大學碩士論文，2013。
陳玉芳。〈十六世紀威尼斯樂譜出版業對義大利牧歌盛行之影響〉。國立中山大學碩士論文，1998。
陳郁涵。〈古典時期協奏曲第一樂章曲式研究〉。國立中央大學碩士論文，2008。
鄭伃婷。〈柯雷里作品六大協奏曲之研究〉。國立臺灣師範大學碩士論文，2012。
蔡孟純。〈莫札特鋼琴協奏曲中曼海姆音樂風格研究〉。國立台北藝術大學碩士論文，2012。

期刊
陳漢金。〈巴黎的美麗與哀愁—莫札特協奏交響曲之音〉。《樂覽》No. 79（1月，2006年），34-37。
樂譜
Mozart, Wolfgang Amadeus. Neue Mozart-Ausgabe, Serie V Konzerte, Werkgruppe 15: Konzerte fur ein oder mehrere Klaviere und Orchester
mit Kadenzen Band 1, Kassel: Bärenreiter, 1972.
Mozart, Wolfgang Amadeus. Neue Mozart-Ausgabe, Serie V Konzerte, Werkgruppe 15: Konzerte für ein oder mehrere Klaviere und Orchester
mit Kadenzen Band 2, Kassel: Barenreiter, 1976.
Mozart, Wolfgang Amadeus. W. A. Mozart Cadenzas and Lead-ins to the Piano Concertos. Edited by Faye Ferguson, and Wolfgang Rehm.
Kassel: Bärenreiter, 2004.

影音資料
Mozart, Wolfgang Amadeus. 3台のピアノのための協奏曲ヘ長調, K.242. Pianos byアンドラーシュ・シフ, ダニエル・バレンボイム, ゲオルク・ショルティ.イギリス室内管弦楽団. 發佈日期：2012年8月4日.https://www.youtube.com/watch?v=3ztEjqpSaJA. Accessed 2015/4/20.
Mozart, Wolfgang Amadeus. Concert for 3 pianos, K. 242, No. 7. Pianos by Martha Argerich, Gulda Brothers. Arming NJPO.
發佈日期：2011年12月26日.https://www.youtube.com/watch?v=xyfkceF8qrA. Accessed 2015/4/20.
Mozart, Wolfgang Amadeus. Two Piano Concerto, KV 242, No. 7, “Lodron”, I. Allegro. Pianos by Arzu & Gamze Kırtıl. Conducted by Işın Metin.Bilkent Senfoni Orkestrasi. Recorded in Ankara 2006. 發佈日期：2012年5月3日.
https://www.youtube.com/watch?v=CRy06gFv17A. Accessed 2015/4/20.
Mozart, Wolfgang Amadeus. Two Piano Concerto, KV 242, No. 7, “Lodron”, II. Adagio. Pianos by Arzu & Gamze Kırtıl. Conducted by Işın Metin. Bilkent Senfoni Orkestrasi. Recorded in Ankara 2006. 發佈日期：2012年5月2日. https://www.youtube.com/watch?v=BV4OxUmgndA. Accessed 2015/4/20.
Mozart, Wolfgang Amadeus. Two Piano Concerto, KV 242, No. 7, “Lodron”, III. Rondo: Tempo di Minuetto. Pianos by Arzu & Gamze Kırtıl. Conducted by Işın Metin. Bilkent Senfoni Orkestrasi. Recorded in Ankara 2006. 發佈日期：2012年5月3日.
https://www.youtube.com/watch?v=p2sq9-WTiJc. Accessed 2015/4/20.
Mozart, Wolfgang Amadeus. Concerto for two Pianos, K. 365, No. 10. Pianos by Vladimir Ashkenazy & Daniel Barenboim. 發佈日期：2014年3月26日.https://www.youtube.com/watch?v=tz7CFNMbedo. Accessed 2015/4/20.
Mozart, Wolfgang Amadeus. Piano Concerto in C Major, K 246, No 8. Piano by Christian Zacharias. Conductor by Gianluigi Gelmetti. Radio-Sinfonieorchester Stuttgart. 發佈日期：2014年10月6日.https://www.youtube.com/watch?v=V3tfcutlHQo. Accessed 2015/4/20.
Mozart, Wolfgang Amadeus. Piano Concerto in B-Flat Major, K 238, No 6. Piano by Christian Zacharias. Conductor by Gianluigi Gelmetti. Radio-Sinfonieorchester Stuttgart. 發佈日期：2014年3月26日.https://www.youtube.com/watch?v=NQMOSBNlPe8. Accessed 2015/4/20.

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