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研究生: 張琳筑
Chang Lin-chu
論文名稱: 音樂資優成長發展之環境因素研究--以莫札特創作風格發展為例
The influence of environmental factors on the development of musical prodigy ---- giving Mozart as an example
指導教授: 崔光宙
Tsui, Kuang-Chou
學位類別: 碩士
Master
系所名稱: 教育學系
Department of Education
論文出版年: 2000
畢業學年度: 88
語文別: 中文
論文頁數: 171
中文關鍵詞: 音樂資優莫札特創造風格環境因素發展音樂資優教育
英文關鍵詞: musical prodigy, Mozart, creativity, style, environmental factors, development, education of musical prodigy
論文種類: 學術論文
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本研究關心的焦點是影響歷史上有成就大師-莫札特發展的環境因素。研究依據分析心理學相關理論所得影響創造力的環境因素,訂定六點研究目的:
1、探討影響莫札特創作的家庭社區環境因素。
2、探討影響莫札特創作的社會文化環境因素。
3、探討影響莫札特創作的專業領域環境因素中時代風格的影響。
4、探討影響莫札特創作的專業領域環境因素中音樂中心的影響。
5、探討影響莫札特創作的專業領域環境因素中文化累積成果的影響。
6、綜合研究成果,析論影響音樂資優發展及個人風格創造之環境因素,並針對研究結果提出研究者個人在音樂資優教育上的建議。
研究歸結,古典時期音樂文化的展開、推進、流轉,至莫札特的透徹完整、鐫鏤晶瑩,實起於歷史風雲之際會。莫札特的睿智驚才來自時代文化的廣博涵養,在於他吸收了社會文化環境與音樂專業環境中傳統創作成果與當時代多文化的刺激。莫札特雖未接受正式的音樂教育,但他在父親的帶領下在歐洲各國遊歷;其間社會自由的風氣、時代理性的精神、維也納引導的開放環境,都給莫札特自由舒曠的心胸﹔在音樂專業領域中,古來的文化傳統與現今之藝術發展融入藝術家心神,大時代的才智精英,試驗、追索,以傳統的賦格與時興的和聲並列、出入昨日和今日的體式,深化情感之通明雪亮,認知發現、開拓突破開創時代之新境界。莫札特之能夠接受文化之涵養,其中最主要來自莫札特的父親雷歐波德,在發現了莫札特的天賦之後,積極地帶著莫札特接觸歐洲的各個音樂環境及音樂風格,開展了莫札特最大的發展空間,而雷歐波德之所以能帶著莫札特接觸歐洲各地音樂文化與音樂風格,也得力於薩爾茲堡大主教許萊頓巴哈的支持。
研究最後針對國內音樂資優教育提出建議。音樂資優兒童的學習、發展、創造,需要家庭、學校、社區、社會、文化環境、國家教育政策密切配合,培養其內涵深厚的文化涵養、廣博開闊的創造心胸﹔讓音樂資優兒童熟悉在音樂專業領域中各個時代的音樂風格、不同文化音樂中心的發展成就、最新動態及音樂交流,熟悉音樂史上累積的音樂文化成果,接受大師偉大藝術的陶冶。資優兒童在自由創作氣氛與豐富文化刺激中,其創作潛能方能真正完全發揮。

This thesis concerns about the environmental factors that influenced Mozart’s development. Synthesizing from psychology researches, this thesis takes five major environmental factors that influence creativity in the music domain as guiding principles. There are six main purposes of this thesis:
1、Descant on Mozart’s family and community which influenced him.
2、Discourse on social and thinking background that influenced Mozart.
3、Present how the styles of the music domain influenced Mozart.
4、Discuss how the important centers of the music domain influenced Mozart.
5、State how the achievements of the music domain influenced Mozart.
6、Give an account in detail of the environmental factors which influenced Mozart’s development as a whole, and propose some suggestions for improving the education of musical prodigy according to the research results.
Concluding the research result, Mozart was influenced by the greatness of the whole culture. The social and thinking background gave Mozart an open-minded aptitude for composing. The styles, important centers, and achievements of music domain all nurished Mozart with the most great culture in this domain of speciality. The most important person in Mozart’s life is his father —— Leopold Mozart. He gave Mozart abundant learning resourses. So that Mozart could bask in the splendor of culture and create masterpieces after developing an open-minded aptitude and absorbing the quintessence of the culture.
Through this research, the researcher proposes some suggestions for improving the education of musical prodigy. Researcher suggests that family, community, society and government must work together to give musical prodigies a strong supporting system. This supporting system must enrich musical prodigies with fertile cultural sophistication, help musical prodigies develop an open-minded aptitude for music and have musical prodigies master great culture in this domain of speciality, including styles of each era, characters of different music centers, the latest event in these centers and great achievements of the culture in this domain of speciality.
To sum up, the potential of musical prodigy can only be fully developed under the influence of great culture and free social environment.The two important factors for creativity must be provided by the supporting system of musical prodigy.

謝 誌 I 中文摘要 III 英文摘要 V 目次 VII 第一章 緒 論 1 第一節 研究動機與目的 1 第二節 研究方法 12 壹、 研究取向 12 貳、 蒐集分析資料的方法 14 第三節 研究範圍與資料 14 第四節 研究限制 15 第二章 莫札特之生平 16 壹、 旅行歐陸的音樂神童 16 貳、 志不得張的薩爾茲堡青年 23 參、 維也納的自由藝術家 26 第三章 家庭社區環境的影響 31 第一節 家庭環境 —— 莫札特的父親雷歐波德 31 壹、 雷歐波德的生平 33 貳、 雷歐波德對莫札特的影響 36 第二節 社區環境 —— 薩爾茲堡 42 壹、 薩爾茲堡的歷史背景 42 貳、 薩爾茲堡的音樂發展 44 參、 薩爾茲堡的大主教 46 肆、 薩爾茲堡的音樂成就 49 伍、 薩爾茲堡的美景 52 陸、 薩爾茲堡對莫札特的影響 53 第四章 社會文化環境的影響 58 第一節 社會背景 58 壹、 歐洲音樂發展的社會背景 58 貳、 維也納音樂發展的社會背景 64 參、 社會背景對莫札特的影響 69 第二節 政治背景 72 壹、 國際情勢 73 貳、 國內政策 76 參、 政治背景對莫札特的影響 77 第三節 思想背景 78 壹、 啟蒙時代 78 貳、 啟蒙時代的共濟會 80 參、 思想背景對莫札特的影響 81 第五章 音樂專業環境的影響之一 —— 時代風格 85 第一節 巴羅克時期 85 壹、 巴羅克時期音樂 85 貳、 巴羅克時期音樂對莫札特的影響 89 第二節 前古典時期 91 壹、 前古典時期音樂 91 貳、 前古典時期音樂對莫札特的影響 94 第三節 古典時期 95 壹、 古典時期音樂 95 貳、 古典時期音樂對莫札特的影響 100 第六章 音樂專業環境的影響之二 —— 音樂中心 102 第一節 拿玻里 102 壹、 拿玻里樂派歌劇的發展 104 貳、 拿玻里樂派歌劇的特色 106 參、 拿玻里歌劇對莫札特的影響 108 第二節 巴黎 108 壹、 巴黎的音樂發展 109 貳、 巴黎的音樂成就 109 參、 巴黎音樂的特色 112 肆、 巴黎音樂對莫札特的影響 113 第三節 曼海姆 114 壹、 曼海姆的音樂發展 114 貳、 曼海姆的音樂成就 116 參、 曼海姆音樂對莫札特的影響 118 第四節 維也納 119 壹、 歌劇 120 貳、 宗教音樂 125 參、 維也納音樂對莫札特的影響 126 第七章 音樂專業環境的影響之三 —— 累積的音樂成果 129 第一節 歌劇 129 壹、 正歌劇的發展 130 貳、 諧歌劇的發展 133 參、 莫札特的歌劇 135 第二節 交響曲 138 壹、 交響曲的發展 138 貳、 莫札特的交響曲 140 第三節 協奏曲 141 壹、 協奏曲的發展 141 貳、 莫札特的協奏曲 143 第四節 宗教音樂 144 壹、 宗教音樂的發展 144 貳、 莫札特的宗教音樂 144 第五節 室內樂 145 壹、 室內樂的發展 145 貳、 莫札特的室內樂 146 第八章 結論與建議 147 第一節 結 論 147 壹、 家庭社區環境的影響 147 貳、 社會文化環境的影響 148 參、 專業環境中時代風格的影響 149 肆、 專業環境中音樂中心的影響 151 伍、 專業環境中累積文化成果的影響 153 第二節 建議 155 參考書目 164

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