蕭斯塔可維奇(Dimitri. Shostakovich)主流作品以交響曲及弦樂四重奏 (String Quartet) 為主，《為劇場樂團而作之組曲》 (Suite for Variety Orchestra) 相較之下不僅文獻資料稀少，在蕭氏的作品中亦無編號，顯得此作品之特殊性。1999年之前亦常和蕭氏另一部作品《第二號爵士組曲》(Jazz Suite No. 2) 為世人所混淆。這闕組曲之各樂章擷取自蕭氏各電影及芭蕾組曲音樂，儼然是其嚴肅音樂另一面之縮影。

研究蕭氏《為劇場樂團而作之組曲》作品，其資料的稀少性也讓筆者擴展探索的觸角延伸至其電影音樂和芭蕾組曲。此過程也讓筆者了解創作的多面向對一個作曲家來說是何其重要的經驗，蕭氏如此特殊的際遇除了與當時的政治環境有關外，也基於他始終如一堅持的創作理念：可以轉個彎，但永不放棄之創作初衷。

蕭斯塔可維奇一生的音樂創作都和身處的政治環境有關，一切榮耀和打擊深切地影響蕭氏創作生涯。但在這艱苦的歷程中蕭氏不斷學習調整自己的定位，最終選擇了嚴肅音樂和電影音樂並行創作的路線；而其是蘇聯音樂家中唯一能兩者皆躍上世界舞台。

《為劇場樂團而作之組曲》之風格偏向輕音樂 (Light music)，和俄國傳統的音樂以及西方古典樂有在風格上有相當的差距。八個樂章包含了三首華爾滋、兩首舞曲、一首波卡舞曲，以及兩首進行曲。新穎的風格也帶來的新風潮。

筆者首先由蕭氏的生平以及創作背景研究，再著手曲式分析，之後探討指揮詮釋，最後在結論部分綜合八個樂章做縱向的統整。

關鍵字：蕭斯塔可維奇、為劇場樂團而作之組曲、第二號爵士組曲

Since most of Dimitri Shostakovich’s compositions are symphonies and string quartets, his Suite for Variety Orchestra is one of a kind, for this piece is lacking in not only literature but also opus number. Prior to 1999, it was also frequently confused by many with his Jazz Suite No. 2. The movements in this piece are separately garnered from his own film music and ballet suites, thereby making it a miniature work of his non-serious music.

While studying his Suite for Variety Orchestra, the author tapped into his film music and ballet suites because of the paucity of available reference. During the process, the author realized that a wide range of composing experiences is of vital importance to a composer. This uniqueness of Shostakovich has much to do with not only the political climate at that time but also the unchanging principle underlying his composition—making a change rather than giving up composing.

Throughout his life, Shostakovich was influenced by the political climate. Every glory and setback affected his composing career. Nevertheless, this tough process made Shostakovich constantly adjust himself, and in the end he chose a path to compose both classical and film music. He is the only Russian composer that made his name as an outstanding composer of both genres.

The style of the Suite for Variety Orchestra can be classified as light music, rather different from that of traditional Russian music and Western classical music. Of the eight movements, there are three waltzes, two dances, one polka, and two marches. This new innovation ushered in a new style.

This thesis begins with an introduction of Shostakovitch's life and background for compositions, which is followed by an analysis of form and an interpretation for conducting, and ends with a conclusion that discusses all eight movements as a whole.

Keywords: Dimitri Shostakovich, Suite for Variety Orchestra, Jazz Suite No.2

（一）中文書籍

音樂之友社編。《作曲家別 名曲解說珍藏版 15 蕭斯塔可維奇》。林勝儀譯。台北：美樂出版社，2000。
盧健英編。《發現蕭斯塔可維奇》。台北：國立中正文化中心，2004。
楊民望。《世界名曲欣賞》。上海市：上海音樂出版社，1997。
李明濱。《俄羅斯文化史》。台北：亞太圖書出版社，2000。
周雪紡。《俄羅斯史－謎樣的國度》。台北：三民書局，2010。
赫洛德．荀伯格。《現代樂派》。陳琳琳譯。台北：萬象出版社，1993。
錢仁平。《肖斯塔柯維奇交響曲》。湖南：湖南文藝出版社，2000。
廖年賦。《管弦樂指揮研究》。台北：全音樂譜出版社，1996。
蘇聯科學院編。《蘇聯電影簡史》。中國電影出版社，1985。

（二）翻譯專書

艾瑞克‧羅斯伯利(Roseberry, Eric)《偉大作曲家群像：蕭士塔高維契》(The illustrated lives of the great composers: Shostakovich)。楊敦惠 譯。台北市：智庫文化出版社，1996。
Atherton, Leonard. 《指揮手冊》(The Conductor’s Handbook)，呂淑玲、蘇索才譯。台北：揚智文化，2002。
沃爾科夫《肖斯塔科維奇和史達林》。紐約：Alfred A. Knopf出版公司，2004。
裡萊《肖斯塔科維奇：電影人生》。紐約：I.B.Tauris 出版公司，2005。
葉戈羅娃。《蘇聯電影音樂》。倫敦：Routledge 出版公司，1997。

（三）外文書籍
Fanning, David. Schostakovich Studies. New York：Maxwell Macmillan International, 1990.
Fay, Laurel E. Schostakovich：A Life. New York：Oxford University Press, 2000.
Farberman, Harold. The Art of Conducting Technique：A New Perspective. New York：Warner Bros, Publications, 1997.
Green, Elizabeth A.H. The Modern Conductor 6th Ed. New Jersey：Prentice Hall, 1997.
Schoenberg, Arnold. Fundamentals of Musical Composition. London：Faber, 1970.
Aldwell, Edward. Harmony and Voiceleading. New York：Carl Schachter, 1989.
Roseberry, Eric. Shostakovich. New York: Omnibus Press, 1986.
Shostakovich, Dimitri, Testimony: the Memoirs of Dmitri Shostakovich. ed. by Solomon Volkov Trans. Antonina W. Bouis. New York: Harper and Row, 1995.

（四）學術論文
李軒宇。〈蕭士塔高維契第五號交響曲之指揮研究〉。國立師範大學碩士論文，2006。
呂雅婷。〈蕭斯塔可維奇D小調大提琴奏鳴曲之分析與詮釋〉。國立臺灣師範大學碩士論 文，2010。
林唐禾。〈蕭斯塔可維奇《第一號爵士組曲》及《第二號爵士組曲》之指揮研究〉。國立臺灣師範大學碩士論文，2011。
黃瀞儀。〈蕭士塔高維契《D大調大提琴奏鳴曲，作品40》之作品分析與詮釋報告〉。國 立師範大學碩士論文，2011。

（五）樂譜

1.管弦樂版
Shostakovich, Suite for Variety Stage Orchestra. Moscow, DSCH：2006
Shostakovich, Suite for Variety Stage Orchestra, 東京株式會社全音樂譜出版社：2014

2.管樂版
Shostakovich, Dmitry. Jazz Suite No. 2 Arr. Johan de Meij, Netherlands, Amsterdam：1945
Shostakovich, Dmitry. Jazz Suite No. 2 Arr. Johan de Meij, Condensed Score (Piano), Netherlands, Amsterdam：1945

（六）有聲資料

CD
Meij, Johan. Rataouille. The Arnhem Symphonic Winds. Johan de Meij. CD9501, 1995.

（七）網路影音資料

Shostakovich, D. Jazz Suite No. 2. BBC Symphony Orchestra. Colin Davis, 2000. Accessed July 1, 2017. https://www.youtube.com/watch?v=kUscdue3RMw
Shostakovich, D. Jazz Suites /Overture on Russian and Kyrgyz Folk Themes / Festive Overture. Ukraine National Symphony. Kuchar, 2012. Accessed July 1, 2017.
https://ntnu.naxosmusiclibrary.com/catalogue/item.asp?cid=BC8480
Shostakovich, D. Jazz Suites Nos. 1 and 2 / Piano Concerto No. 1 (The Jazz Album). Royal Concertgebouw Orchestra. Riccardo Chailly, 1995. Accessed July 1, 2017.
https://ntnu.naxosmusiclibrary.com/catalogue/item.asp?cid=00028943370226
Shostakovich, D. Moscow Cheryomushki Suite / Jazz Suites Nos. 1 and 2 / Tahiti Trot. Berlin Radio Symphony. Sloane. Steven Sloane, 2006. Accessed July 1, 2017.
https://ntnu.naxosmusiclibrary.com/catalogue/item.asp?cid=C71096
Shostakovich, D. Jazz Suites Nos. 1 and 2 / The Bolt Suite / Tahiti Trot. Russian State Symphony Orchestra. Dmitry Yablonsky, 2002. Accessed July 1, 2017.
https://ntnu.naxosmusiclibrary.com/catalogue/item.asp?cid=8.555949
Shostakovich, D. Symphony No. 5 / Jazz Suite No. 2. Royal Concertgebouw Orchestra. Bernard Chailly, 2014. Accessed July 1, 2017.
https://ntnu.naxosmusiclibrary.com/catalogue/item.asp?cid=00028948202393

Shostakovich, D. Ballet Suites No.1-5. Scottish National Orchestra. Neeme Jarvi, 2003. Accessed July 1, 2017. https://ntnu.naxosmusiclibrary.com/catalogue/item.asp?cid=BC6735