卓綺柔的《夜華印象—為笛獨奏與大提琴、鋼琴雙伴奏》創作於2023年，改編自2021年所創作之《夜華印象—給二胡、大提琴與鋼琴的三重奏》。樂曲的創作由三重奏版本更改為笛子主奏與兩個樂器伴奏之形式，曲中素材融合了謝宇威所作之《月光光》及德布西的《月光》。曲中除了展現《月光光》完整主題旋律，同時改變拍號，為旋律加入更多裝飾及變化，讓《月光光》的旋律聽起來更加悠長綿延。曲中更融入人們熟悉的德布西《月光》鋼琴伴奏型態，將《月光》第二主題旋律從規矩的八分音符行進模式，變換為快速流動又快速拉長的創作手法，讓《夜華印象》聽起來更加符合作曲者對月色變化的想像。
透過卓綺柔獨有的創作手法，巧妙地將東方客家音樂元素及西方德布西樂曲融合在一起，並且在樂器組合上擁有多元的嘗試。《夜華印象》這首現代創作作品，也為今日竹笛演奏家帶來了新的嘗試與體驗。
本篇論文共分為五章，透過研究卓綺柔的生平背景與作品創作動機之連結，探討《夜華印象》曲中所使用的各個動機與素材，並且分析樂曲架構，希望能更深入了解《夜華印象》一曲所帶有的涵意，最後詳述筆者對《夜華印象》的詮釋想法及對樂器音色的運用與互動之主張，期盼能幫助未來的演奏者，對此曲有更深刻的理解及演奏出更細膩的詮釋。

The composition "Moonlight Fantasy - for Solo Flute and Accompaniment of Cello and Piano" by Cho Chi-Jou was composed in 2023 as a reimagining of the earlier piece "Moonlight Fantasy - Trio for Erhu, Cello, and Piano" from 2021. The piece transforms the trio into a format featuring the flute as the main instrument, accompanied by two others. The material in the piece blends elements from Yu-Wei Hsieh's "Moonlight" and Debussy's "Clair de Lune."
It showcases the complete thematic melody of "Moonlight," changes the time signature, and adds more embellishments and variations to the melody, making it sound more extended and lingering. The piece also incorporates the familiar piano accompaniment patterns from Debussy's "Clair de Lune," transforming the second theme's rhythmic progression from a regular eighth-note pattern into a rapidly flowing and extended creation, aligning the sound more closely with the composer's imagination of the changing moonlight.
Through Qi-Rou Zhuo's unique compositional style, the piece skillfully merges Eastern Hakka musical elements with Western Debussy compositions, and explores diverse instrumental combinations. This modern piece, "Moonlight Fantasy," offers new attempts and experiences for contemporary bamboo flute performers.
This thesis is divided into five chapters. By examining the connection between Qi-Rou Zhuo's background and creative motivations, it explores the various motifs and materials used in "Moonlight Fantasy," and analyzes the structure of the composition, aiming for a deeper understanding of the piece's implications. Finally, the author details their interpretive ideas and opinions on the use and interaction of instrumental timbres, hoping to help future performers gain a more profound understanding and deliver a more nuanced interpretation of the piece.

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卓綺柔。《夜華印象—給二胡、大提琴、琵琶、雙簧管與鋼琴五重奏》。由植心樂集提供錄音檔，2023.10.11。
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