亞洲當代的作曲家武滿徹（Toru Takemitsu, 1930-1996），從法國音樂的淵源下一脈相承，而後回頭尋找傳統的東方元素，並創發自己獨特的音樂語言，從1977年《群鳥降臨星形庭園》（A Flock Descends into the Pentagonal Garden）開始，其晚期一系列管弦樂作品中，多涉及與夢相關的主題，創作出一系列如夢境般的作品，堪稱當代音樂界的夢境大師。
除了音樂語言的法國傳統，在諸多的線索當中顯示了武滿徹在人文思想上也同樣深受法國哲學心理學家加斯東‧巴舍拉（G. Bachelard, 1884-1962）的影響，尤其在於「夢想」與「物質想像」等層面上，深刻的吸收了這些哲學思維，成為音樂創作上的文化根源。
研究者試圖借巴舍拉「夢想」的詩學視野，以武滿徹身為一位創作者本身的經驗世界角度切入，並輔以音樂歷史的脈絡，探討一位作曲家在創作歷程中，形塑作品的各個層面與「夢想」的緊密關係，武滿徹音樂中的夢想世界所欲揭露者為何？並透過音樂分析探尋創作背後夢想的詩意形象如何轉化為音樂的語言？

Toru Takemitsu (1930-1996), a contemporary Japanese composer, influenced by French music tradition, discovers oriental element to create unique music language himself. Since his work, A Flock Descends into the Pentagonal Garden (1977), he creates a series of orchestra works with the topic of dream.
Besides French music language tradition, Takemitsu is deeply influenced by French philosopher G. Bachelard(1884-1962) in terms of artistic ideas, particularly the theme of “reverie” and “imagination de la matière.” He absorbs Bachelard’s philosophical ideas into his music creation.
Researcher want to discuss the processes of music creation have close relationship with reverie through Bachelard’s point of view of poetic. This thesis focuses on the idea of reverie in Takemitsu’s music creation through Bachelard’s poetic philosophy so that Takemitsu’s world of creation can be revealed. Besides, I am curious how Takemitsu transform the poetic image and creates his music language in his works with the perspective of music analysis.

中文部份

Bachelard, Gaston. 《夢想的詩學》（La Poétique de la Rêverie）。劉自強 譯。北京：三聯書店，1996。

________.《水與夢》（l’Eau et les Rêves）。顧嘉琛 譯。長沙：岳麓出版社，2005。

________.《空間詩學》（La Poétique de l’espace）。龔卓軍 譯。台北：張老師文化，2003。

Hall, James A. 《容格解夢書—夢的理論與解析》（Jungian Dream Interpretation: Handbook of Theory and Practice）。廖婉如 譯。台北：心靈工坊文化，2006。
May, Rollo. 《創造的勇氣》(The Courage to Create)。 傅佩榮 譯。台北：立緒文化，2001。

Messiaen Olivier.《我的音樂語言與技巧》（Technique de mon Language Musical）。連憲升 譯。台北：中國音樂書房，1992。

小澤征爾、大江健三郎。 《音樂與文學的對談》。戴偉傑 譯。台北：高談文化，2006。

平島正郎。《德布西》（Claude Debussy）。林勝儀 譯。台北：美樂出版社，2000。

連憲升。〈一個兼容並蓄風格的嘗試—從梅花操的創作探尋繼承與發展許常惠先生音樂遺產的可能方向〉。《從許常惠到六月田水—探討台灣音樂創作的展望與未來學術研討會》（2005年）

連憲升。〈五聲回歸與五聲遍在—武滿徹與陳其鋼作品中的古韻與新腔〉。《關渡音樂學刊》（2006年12月）。

黃冠閔。〈音詩水想—倫理意象之一環〉。《藝術評論—第16期》（台北：國立臺北藝術大學，2006年3月）：103。

蔡淑玲。〈探討武滿徹音樂創作的思維與體現—以夢窗為例〉。東吳大學碩士論文，2006。

外文部份
Bachelard, Gaston. L’Air et les Songes. Librairie José Corti, 1943.

Burt, Peter. “Takemitsu and the Lydian Chromatic Concept of George Russell.” Contemporary Music Review. Vol. 21, No. 4(2002): 73-109.

________. The Music of Toru Takemitsu. Cambridge: Cambridge University Press, 2001.

Chávez, Carlos. Musical Thought. Cambridge: Mass., Harvard University Press, 1961.

Chung-Haing, Lee. Japanese Elements in the Piano Works of Toru Takemitsu. DMA diss. UMI: 1979.

Everett, Yayoi., Lau, Frederick, ed. Locating East Asia in Western art music. USA: Wesleyan University Press, 2004.

Ferneyhough, Brian, Collected Writing. ed. James Boros and Richerd Toop. Amsterdam: Harwood Academic Publishers, 1995.

Harvey, Jonathan. Music and Inspiration. London: Faber and Farber Limited, 1999.

Hugh de Ferranti., Yoko Narazaki. A Way a Lone: Writing on Toru Takemitsu. Japan: Academia Music Limited, 2002.

James, Gibson. Toru Takemitsu: A Survey of His Music with an Analysis of Three Works. DMA diss. Cornell Univ: 1979.

Koh, Hwee-Been. East and West : The Aesthetic and Musical Time of Toru Takemitsu. PHD
diss. Boston University: 1998.

Koozin, Timothy. “Spiritual-Temporal imagery in Music of Olivier Messiaen and Toru Takemitsu.” Contemporary Music Review. Vol. 7, 185-202(1993):189.

________. “Traversing Distance: Pitch Organization, Gesture and Imagery in the Late Works of Toru Takemitsu.” Contemporary Music Review. Vol. 21, No. 4(2002): 31.

Ligeti, György. György Ligeti in conversation. London: Eulenberg, 1983.

Morgan, Robert P.. Twentieth-Century Music: a history of musical style in modern Europe and America. New York: Norton, 1991.

Ohtake, Noriko. Creative Sources for the Music of Toru Takemitsu. USA: Ashgate Publishing Company, 1993.

Richie, Donald. “Notes on the Film Music of Takemitsu Toru.” Contemporary Music Review, Vol. 21, No.4.(2002):11.

Russell, George. The Lydian Chromatic Concept of Tonal Organization. Brookline Massachusetts: Concept Pub. Co; 4th ed edition, 2001.

Schoenberg, Arnold. Style and Idea. trans. D. Newlin. London: Williams and Norgate, 1951.

Siddons, James. Toru Takemitsu: A Bio-Bibliography. London: Greenwood Press, 2001.

Stravinsky, Igor. An Autobiography. New York: Norton, 1962.

Takemitsu, Toru. Confronting Silence. Berkeley California: Fallen Leaf Press, 1995.

________. “Contemporary Music in Japan.” Perspective of New Music. Vol. 27, No.2.(Summer, 1989): 200.

________. Ongaku o Yobisamasu Mono (Awakening of Music). Tokyo: Shincho Sha, 1985.

Tchaikovsky, Pyotr Ilyich. The Diaries of Tchaikovsky. trans. Wladimir Lakond, Westport,
Conn. Greenwood Press, 1973.

Ting-Lien Wu. an Analysis of Toru Takemitsu’s Bryce, with an Emphasis on the Role of Articulation. DMA diss. UCLA : 1987.

Vallas, Leon. The Theories of Claude Debussy. London: Oxford University Press, 1979.

Watson, Derek. Liszt. New York: Schirmer Books, 1989.

Webern, Anton von. The Path to the New Music. ed. W. Reich, trans. L. Black. London:
Universal Edition,1975.

船山隆。《武満徹 響きの海へ》東京：音樂之友社，1998。

楢崎洋子。《武滿徹》東京：音樂之友社，2005 年。
樂譜
Debussy, Claude. La Mer. Germany: Ernst Eulenburg Ltd, 2002.
Takemitsu, Toru. A Flock Descends into the Pentagonal Garden. Paris: Salabert Editions. 1987.

________. A String Around Autumn. Japan: Schott Company Ltd, 1991.

________. A Way A Lone. Japan: Schott Company Ltd, 1982.

________. Bryce.Paris: Salabert Editions. 1984.

________. Complete Piano Works. Paris: Salabert Editions. 1962.

________. Dream Time. Japan: Schott Company Ltd, 1981.

________. Dream/Window. Japan: Schott Company Ltd, 1988.

________. Far Calls. Coming, Far! Japan: Schott Company Ltd, 1981.

________. Garden Rain. Japan: Schott Company Ltd, 1974.

________. I Hear The Water Dreaming. Japan: Schott Company Ltd, 1989.

________. Quotation of Dream— Say sea, take me! Japan: Schott Company Ltd, 2000.

________. Rain Coming. Japan: Schott Company Ltd, 1983.

________. Rain Dreaming. Japan: Schott Company Ltd, 1986.

________. Rain Spell. Japan: Schott Company Ltd, 1983.

________. Rain Tree. Japan: Schott Company Ltd, 1981.

________. The Dorian Horizon. Japan: Ongaku No Tomo Sha Corp., 1967.

________. To The Edge of Dream. Japan: Schott Company Ltd, 1983.

________. Toward The Sea Ⅰ. Japan: Schott Company Ltd, .

________. Toward The Sea Ⅱ. Japan: Schott Company Ltd, 1988.

________. Toward The Sea Ⅲ. Japan: Schott Company Ltd, 1989.

________. Wind Horse. Japan: Schott Company Ltd, 1984.

有聲資料
Takemitsu, Toru. Works for flute and guitar. Ondine B000003789. February 7, 1995. CD.

________. Quotation of Dream. Deutsche Grammophon B00000I0L6. February 9, 1999. CD.