簡易檢索 / 詳目顯示

研究生: 陳星錏
Tan, Sin-Ya
論文名稱: 馬來西亞三大族群幼兒的繪畫表現之初探
A Preliminary Study of Children’s Drawing Performance of Three Major Ethnic Groups in Malaysia
指導教授: 賴文鳳
Lai, Wen-Feng
學位類別: 碩士
Master
系所名稱: 人類發展與家庭學系
Department of Human Development and Family Studies
論文出版年: 2020
畢業學年度: 108
語文別: 中文
論文頁數: 171
中文關鍵詞: 幼兒繪畫自由畫主題畫馬來西亞三大族群
英文關鍵詞: children’s drawings, free drawing, thematic drawing, three major ethnic groups in Malaysia
DOI URL: http://doi.org/10.6345/NTNU202000360
論文種類: 學術論文
相關次數: 點閱:202下載:0
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 本研究旨在了解馬來西亞馬來族、華族與印度族幼兒自由畫及主題畫「我跟大家一起吃東西」之繪畫表現及其相似與相異之處。本研究以就讀馬來西亞柔佛州新山縣公私立幼兒園的4至6歲幼兒為研究對象。其中,參與自由畫的幼兒共98位(馬來族30位、華族33位、印度族35位);參與主題畫的幼兒共68位(馬來族16位、華族25位、印度族27位)。三個族群的參與幼兒在性別及年齡上均無顯著差異。本研究以小組及團體施測之方式蒐集繪畫資料,並以相關文獻為基礎,發展繪畫編碼表了解幼兒的繪畫表現。研究結果說明如下:

    一、自由畫方面
    (一)三個族群的畫作在不同主題類型的分佈上沒有顯著差異;(二)三個族群畫作中的內容元素在人物類、食物類及文字符號類之頻率有顯著差異;
    (三)三個族群畫作中的平均用色數沒有顯著差異;
    (四)三個族群畫作中的人物在「常規的畫法」的結構類型之頻率有顯著差異,在人物的細節頻率與尺寸則沒有顯著差異。

    二、主題畫方面
    (一)三個族群的畫作在切題與離題畫之分佈上沒有顯著差異;
    (二)三個族群畫作中的內容元素在食物類、動植物類及文字符號類之頻率有顯著差異,此外,三個族群畫作中的食物類項目在飯麵類及水果類之頻率有顯著差異;
    (三)三個族群畫作中的平均用色數沒有顯著差異;
    (四)三個族群畫作中的人物在「蝌蚪人畫法」及「常規的畫法」的結構類型之頻率有顯著差異,人物的尺寸亦有顯著差異,而在人物的細節頻率則沒有顯著差異。

    This study aimed to understand the similarities and differences of Malaysian Malay, Chinese and Indian children’s free drawings and thematic drawings “Me eating with people”. Participants included children aged 4 to 6 years who attended public or private kindergartens in Johor Bahru. Ninety-eight children participated in free drawings (30 Malays, 33 Chinese, 35 Indians), and 68 children participated in thematic drawings (16 Malays, 25 Chinese, 27 Indians). There were no significant gender-ratio and age differences among three ethnic groups. Children drew pictures in groups. Two codebooks were designed according to relevant research, including “Free drawing codebook” and “Thematic drawing codebook”. The primary results were as follows:

    1.For free drawing: (1) There were no significant differences in the distribution of different theme types among three ethnic groups. (2) The frequency of content elements in drawings of three ethnic groups was significantly different in the categories of characters, food and text symbols. (3) There was no significant difference in the average number of colors used in the drawings among three ethnic groups. (4) The result revealed significant differences in the frequency of conventional structural level of human figure among three ethnic groups. Additionally, no significant difference in the frequency details and size of human figures.

    2.For thematic drawings: (1) There were no significant differences in the distribution of relevant and irrelevant drawings among three ethnic groups. (2) Regarding categories of content elements, significant differences were found in the frequency of food, animals and text symbols. Additionally, the frequency of two food categories, grains related and fruit, was significantly different among three ethnic groups. (3) There was no significant difference in the average number of colors used in the drawings among three ethnic groups. (4) The results showed significant differences in the frequency of tadpole and conventional structural levels of human figures among three ethnic groups. Moreover, there were significant differences in the size of the human figures, but no significant difference in the frequency of details human figures among three ethnic groups.

    謝辭 i 中文摘要 ii 英文摘要 iii 目錄 iv 表次 vi 圖次 ix 第一章 緒論 1 第一節 研究背景與動機 1 第二節 研究目的 7 第三節 研究問題 7 第四節 名詞釋義 8 第二章 文獻探討 11 第一節 幼兒繪畫之發展與表現 11 第二節 馬來西亞三大族群及其文化之探究 45 第三節 不同文化幼兒的繪畫表現之相關研究 63 第三章 研究方法 73 第一節 研究架構與取向 73 第二節 研究場域與研究對象 76 第三節 研究資料蒐集程序及方法 81 第四節 研究資料之分析與整理 84 第四章 研究結果 95 第一節 馬來西亞三大族群幼兒自由畫之繪畫表現分析結果 95 第二節 馬來西亞三大族群幼兒主題畫之繪畫表現分析結果 115 第五章 討論與建議 139 第一節 研究結果討論 139 第二節 研究結論 147 第三節 研究限制與建議 149 參考文獻 153 附錄 169 附錄一、幼兒家長同意書 169 附錄二、幼兒教師同意書 170 附錄三、附圖 171

    壹、中文文獻
    方育芳(2012)。從單親兒童繪畫分析其家庭依附之研究(碩士論文)。取自臺灣博碩士論文知識加值系統。
    孔起英(1996)。皮亞傑兒童發展理論與學前兒童繪畫的發展教育。學前教育研究,4,18-21。
    王德育(譯)(1980)。V. Lowenfeld著。創造與心智的成長(Creative and mental growth)。臺北市:三友。
    幼兒教育及照顧法(2011)。
    台灣聯合大學系統信義榮譽講座編輯小組(譯)(2007)。N. H. Steneck著。研究倫理教學手冊(Introduction to the responsible conduct of research)。臺北市:台灣聯合大學系統(中央大學、交通大學、清華大學、陽明大學)。
    成令方、林鶴玲、吳嘉苓(譯)(2006)。A. G. Johnson著。見樹又見林: 社會學作為一種生活、 實踐與承諾(The forest and the trees: Sociology as life, practice, and promise)。臺北市:群學。
    吳宗玉(2018)。馬來西亞民間故事。合肥市:時代。
    沈亞瑩(2016)。不同氣質幼兒之日記畫探討(碩士論文)。取自臺灣博碩士論文知識加值系統。
    沈佳靜(2003)。幼兒繪畫表現分析與探討。幼兒保育學刊,1,64-81。
    余若君(譯)(2000)。M. Strauss著。探看幼兒的圖畫世界(Understanding children drawing: The path to manhood)。新北市:光佑。
    吳秋花(2003,3月16-18日)。民族奇趣系列:印裔(上)、(中)、(下)。星洲日報,國內版。
    李昭明、陳欣希(譯)(2008)。B. Rogoff著。人類發展的文化本質(The cultural nature of human development)。臺北市:心理。
    李思涵(2003)。東南亞華人史。臺北市:五南。
    李是慰(譯)(2009)。B. D. Sales, & S. Folkman著。研究倫理:以人為受試對象(Ethics in research with human participants)。臺北市:五南。
    邱敏麗、黃創華、陳瑤惠(2008)。外籍配偶子女在家庭動力畫的內容與其對家庭互動關係的意涵之初探性分析研究。嘉南學報,34,555-566。
    吳惠琴(2010)。幼兒繪畫表現形式與自我概念之研究-以原住民及一般幼兒為例(碩士論文)。取自臺灣博碩士論文知識加值系統。
    李維(譯)(2000)。L. S. Vygotsky著。思維與語言(Thought ang language)。臺北市:昭明。
    李璦祺(譯)(2016)。池上彰 著。圖解伊斯蘭世界(池上彰が読む「イスラム」世界 知らないと恥をかく世界の大問題 学べる図解版)。新北市:遠足文化。
    車薇寧(譯)(2008)。H. Munan著。文化震撼之旅:馬來西亞(Culture shock!: Malaysia)。北京市:旅遊教育。
    林千琪(2010)。新住民與一般家庭兒童在家庭繪畫表現之研究-台北縣、市為例(未出版之碩士論文)。國立臺北教育大學幼兒與家庭教育學系研究所,臺北市。
    林生傳(2007)。教育心理學。臺北市:五南。
    林思騏(2010)。兒童族群、年齡與性別之創造思考、人物繪畫及自由繪畫表現相關研究(碩士論文)。取自http://ntcuir.ntcu.edu.tw/
    林思騏、魏美惠(2012)。不同文化中幼兒創造力、人物畫與自由繪畫表現之探討。國立屏東教育大學學報,39,35-74。
    林雅玲(2012)。鄒族學童繪畫成長與文化認知之研究(碩士論文)。取自臺灣博碩士論文知識加值系統。
    林楚蓮(2003,3月13日)。民族奇趣系列:先馬來人(上)。星洲日報,國內版。
    周曉虹、李姚軍(譯)(2000)。M. Mead著。薩摩亞人的成年(Coming of age in Samoa: A psychological study of primitive youth for western civilization)。臺北市:遠流。
    祈藹嵐、劉婉珍、菲爾塞、文德博(2003)。台加繪畫發展與審美評鑑跨文化研究。藝術教育研究,5,23-47。
    施正鋒(1998)。族群與民族主義:集體認同的政治分析。臺北市: 前衛。
    范睿榛(2012)。藝術治療:家庭動力繪畫槪論。臺北市:五南。
    范睿榛、林夢絹(2014)。雙薪家庭兒童繪畫表現與手足關係之探究。國民教育,54(4),29-40。
    洪麗芳(2011)。馬來西亞印度人社群研究—以印度人社群語言狀況為例。南洋問題研究,4,72-80。
    個人資料保護法(2015)。
    陳文瑤(譯)(2017)。R. Baldy著。看懂孩子的畫中有話:跟著心理學家一起進入孩子的塗鴉世界(Comprendre les dessins de son enfant)。臺北市:聯經。
    陸世敏(2019,6月23日)。失資源無立足地,缺營養怪病纏身,原住民在哭泣!。星洲日報,全國版。
    徐雨村(譯)(2005)。C. P. Kottak著。文化人類學:文化多樣性的探索(Cultural anthropology)。臺北市:桂冠。
    陶東風(譯)(2000)。E. Winner著。創造的世界: 藝術心理學(Invented world: The psychology of the arts)。臺北市:田園城市。
    陳其美(2013)。透過幼兒繪畫探究其對圖畫書故事理解之研究(碩士論文)。取自臺灣博碩士論文知識加值系統。
    陳金燕(2006)。兒童繪畫發展階段與年齡、性別和智力表現之關係研究(碩士論文)。取自臺灣博碩士論文知識加值系統。
    陳武鎮(譯)(1991)。W. L. Brittain著。幼兒創造力美術(Creativity, art, and the young child)。臺北市:世界文物。
    陳姵妏(2013)。華德福教育中四種氣質幼兒的繪畫表現(碩士論文)。取自臺灣博碩士論文知識加值系統。
    郭禹彤(2017)。學校動力繪畫與兒童同儕關係之研究(碩士論文)。取自http://www.airitilibrary.com
    陳盈穎、林妏砡(2013)。喪親兒童在投射性繪畫測驗評估分析之研究。諮商與輔導,332,42-48。
    高雪梅、郑持军、李红(2003)。兒童繪畫表現性發展的研究進展。心理科学进展,11(1),61-64。
    徐華女、黃蘊智(2016)。從 “隱性-顯性” 角度理解兒童分配正義概念的發展。教育心理學報,48(1),37-51。
    徐雲彪(2005)。馬來西亞的經濟發展與社會文化現況。載於何福田(主編),外籍配偶師資培育講義(上冊)(頁 201-223)。台北縣:國立教育研究院籌備處。
    夏勳(1969)。兒童美術之開拓。臺北市:中山。
    夏勳(譯)(1988)。R. Kellogg著。兒童畫的發展過程(Analyzing children’s art)。臺北市:世界文物。
    陳鴻瑜(2012)。馬來西亞史。新北市:蘭臺。
    陳耀如(2009)。馬來半島民居類型之衍生分析(博士論文)。取自臺灣博碩士論文知識加值系統。
    許信雄(譯)(1999)。B. S. Engel著。幼兒藝術(Considering children’s art: Why and how to value their works)。臺北市:華騰。
    張耿彬(2005)。從幼兒繪畫內容探討幼兒認知、環境因素與幼兒繪畫的關係(碩士論文)。取自臺灣博碩士論文知識加值系統。
    馬來西亞學前教育概況(2015年,8月)。國際教育訊息電子報,81。取自https://fepaper.naer.edu.tw/epaper.php?edm_no=81
    張雅萍(2014)。美國當代藝術教育典範學者Michael J. Parsons 的學術研究與治學精神之探究。國際藝術教育學刊,1(12),155-215。
    張慧芝(譯)(2011)。D. E. Papalia, S. W. Olds, & R. D. Feldman著。人類發展:兒童心理學(Human development, eleventh edition)。臺北市:麥格羅希爾。
    張麗霞(2011)。如何欣賞幼兒的視覺藝術作品?。香港幼兒學報,10(2),21-26。
    梁馨月、林玉華(2012)。情緒困擾兒童在房樹人投射繪畫上的表現研究。臨床心理學刊,6(1),12-12。
    黃壬來(1993)。幼兒造形藝術教學:統合理論之應用。臺北市:五南。
    舒兆民(2016)。華語文教學。臺北市:新學林。
    黃秋迪(譯)(2010)。B.Watson, & L. Y. Andaya著。馬來西亞史(A history of Malaysia)。北京市:中國大百科。
    曾雅薇(2009)。隔代教養兒童之家庭動力繪畫與家庭互動關係之研究(碩士論文)。取自臺灣博碩士論文知識加值系統。
    黃瑞琴(1991)。質的教育研究方法。臺北市:心理。
    楊孟麗、謝水南(譯)(2015)。J. R. Fraenkel, N. E. Wallen, & H. H. Hyun著。教育研究法:研究設計實務(How to design and evaluate research in education, 8th edition)。臺北市:心理。
    溫惠珍、王麗惠、曾仰賢、沈翠蓮、王曉菁(2010)。視覺藝術領域教材教法。臺北市:五南。
    黎瓊麗、黎鴻彥(譯)(2006)。J. B. Koster著。培養藝術家:幼兒藝術教學(Growing artist: Teaching art to young children)。高雄市:麗文。
    賴文鳳(2017)。原住民幼兒繪畫發展、文化、學前教育關聯性之研究。科技部補助專題研究計畫成果報告。臺北市:國立臺灣師範大學人類發展與家庭學系。
    賴文鳳(2018)。華人文化脈絡下幼兒的生活經驗與繪畫表現研究: 三個國家的比較。未出版手稿,國立臺灣師範大學人類發展與家庭學系,臺北市。
    潘姆金(2008)。馬來西亞政治中淡米爾人的期望與失望:一個以淡米爾為母語的馬來西亞人的觀點。雪蘭莪州:M/ Arashar Type setters。
    駱淑慧、林彩雲(2005)。馬來西亞教育發展概況。載於陳清溪(主編),大馬華文教學(頁5-9)。台北縣:國家教育研究院籌備處。
    潘慧玲(2017)。教育論文格式(二版)。臺北市:雙葉。
    鍾維康(2016)。吉隆坡印度文化之旅。載於卓衍豪(主編),自遊馬來西亞(頁 200-203)。新北市:大邑文化。
    魏美惠(2016)。跨文化比較研究:比較馬來西亞、台灣與中國大陸學童創造力及人物繪畫表現。藝術研究期刊,12,41-74。
    鄭明憲(2003)。兒童對視覺意象意義的建構。藝術教育研究,5,1-22。
    羅聖榮(2015)。馬來西亞的印度人及其歷史變遷。北京市:中國社會。
    蘇佑芳(2012)。幼兒繪畫發展及繪畫內容之分析-以大班八位幼兒為例(碩士論文)。取自臺灣博碩士論文知識加值系統。
    蘇佑芳、林思騏、魏美惠(2016)。探討幼兒繪畫內容及影響之因素。國立臺南大學藝術研究學報,9(1),39-66。
    蘇振明(2002)。啟發孩子的美術潛能: 跟父母及教師談兒童美術教育的理念與指導要領。臺北市:光佑。

    貳、英文文獻
    Abdullah, A. C. (2009). Multicultural education in early childhood: Issues and challenges. Journal of International Cooperation in Education, 12(1), 159-175.
    Ahmad, J. F. (2018). Children’s drawings in different cultures: An analysis of five-year-old Jordanian children’s drawings. International Journal of Early Years Education, 26(3), 1-10.
    Alland, A. (1983). Playing with form: Children draw in six cultures. Columbia, NY: Columbia University Press.
    Anderson, T. (1991). The content of art criticism. Art Education, 44(1), 16-24.
    Anning, A. (2002). Conversations around young children’s drawing: The impact of the beliefs of significant others at home and school. International Journal of Art & Design Education, 21(3), 197-208.
    Backos, A., & Samuelson, K. W. (2017). Projective drawings of mothers and children exposed to intimate partner violence: A mixed methods analysis. Art Therapy, 34(2), 58-67.
    Boyatzis, C. J., & Albertini, G. (2000). A naturalistic observation of children drawing: Peer collaboration processes and influences in children’s art. New directions for child and adolescent development, 2000(90), 31-48.
    Brooks, M. (2009). What Vygotsky can teach us about young children drawing. International Art in Early Childhood Research Journal, 1(1), 1-13.
    Burkitt, E., Barrett, M., & Davis, A. (2003). Children’s colour choices for completing drawings of affectively characterised topics. Journal of child psychology and psychiatry, 44(3), 445-455.
    Burkitt, E., Barrett, M., & Davis, A. (2005). Drawings of emotionally characterised figures by children from different educational backgrounds. International Journal of Art & Design Education, 24(1), 71-83.
    Burkitt, E., Jolley, R., & Rose, S. (2010). The attitudes and practices that shape children’s drawing experience at home and at school. International Journal of Art & Design Education, 29(3), 257-270.
    Burton, J. M. (2009). Creative intelligence, creative practice: Lowenfeld redux. Studies in Art Education, 50(4), 323-337.
    Chavajay, P., & Rogoff, B. (2002). Schooling and traditional collaborative social organization of problem solving by Mayan mothers and children. Developmental psychology, 38(1), 55.
    Cherney, I. D., Seiwert, C. S., Dickey, T. M., & Flichtbeil, J. D. (2006). Children’s drawings: A mirror to their minds. Educational Psychology, 26(1), 127-142.
    Corcoran, A. L. (1954). Color usage in nursery school painting. Child development, 25(2), 107-113.
    Court, E. (1989). Drawing on culture: The influence of culture on children’s drawing performance in rural Kenya. Journal of Art & Design Education, 8(1), 65-88.
    Coutts, G., & Dougall, P. (2005). Drawing in perspective: Scottish art and design teachers discuss drawing. International Journal of Art & Design Education, 24(2), 138-148.
    Cox, M. V. (1998). Drawings of people by Australian aboriginal children: The inter‐mixing of cultural styles. Journal of Art & Design Education, 17(1), 71-79.
    Cox, M. V. (1993/2006). Children’s drawings of the human figure. Bronx, NY: Psychology Press.
    Cox, M. V., & Parkin, C. E. (1986). Young children’s human figure drawing: Cross-sectional and longitudinal studies. Educational Psychology, 6(4), 353-368.
    Cox, M. V., & Rowlands, A. (2000). The effect of three different educational approaches on children’s drawing ability: Steiner, Montessori and traditional. British Journal of Educational Psychology, 70(4), 485-503.
    Cox, M. V., Perara, J., & Fan, X. (1999). Children’s drawing in the UK and China. Journal of Art & Design Education, 18(2), 173-181.
    Cox, M. V., Koyasu, M., Hiranuma, H., & Perara, J. (2001). Children’s human figure drawings in the UK and Japan: The effects of age, sex and culture. British Journal of Developmental Psychology, 19(2), 275-292.
    Davis, J. (1997). Drawing’s demise: U-shaped development in graphic symbolization. Studies in Art Education, 38(3), 132-157.
    Dennis, W. (1960). The human figure drawings of Bedouins. The Journal of Social Psychology, 52(2), 209-219.
    Duncum, P. (1986). Breaking down the alleged “U” curve of artistic development. Visual Arts Research, 12(1), 43-54.
    Dyson, A. H. (1988). Appreciate the drawing and dictating of young children. Young Children, 43(3), 25-32.
    Feldman, E. B. (1987). Varieties of visual experience, 3th edition. New York, NY: Harry N. Abrams.
    Fortes, M. (1940). Children’s drawings among the Tallensi. Africa: Journal of the International African Institute, 13(3), 289-301.
    Gardner, H. (1991). The unschooled mind: How children think and how schools should teach. New York, NY: BasicsBooks.
    Gernhardt, A., Rübeling, H., & Keller, H. (2013). “This is my family”: Differences in children’s family drawings across cultures. Journal of Cross-Cultural Psychology, 44(7), 1166-1183.
    Golomb, C. (1981). Representation and reality: The origins and determinants of young children’s drawings. Review of Research in Visual Arts Education, 7(2), 36-48.
    Golomb, C. (2002). Child art in context: A cultural and comparative perspective. Columbia, WA: America Psychological Association.
    Golomb, C. (2004). The child’s creation of a pictorial world. Mahwah, NJ: Lawrence Erlbaum Associates.
    Golomb, C., & Farmer, D. (1983). Children’s graphic planning strategies and early principles of spatial organization in drawing. Studies in Art Education, 24(2), 86-100.
    Gomes, A. G. (2004, November 15). The Orang Asli of Malaysia. IIAS Newsletter, p. 10.
    Göncü, A. (1999). Children’s engagement in the world: Sociocultural perspectives. New York, NY: Cambridge University Press.
    Gutteter, L. J. (1972). The relationship between the visual and haptic drawing styles and some psychological variables, age, sex, and previous art experience. Studies in Art Education, 14(1), 15-23.
    Haight, W. L., Wang, X., Fung, H. H., Williams, K., & Mintz, J. (1999). Universal, developmental, and variable aspects of young children’s play: A cross‐cultural comparison of pretending at home. Child development, 70(6), 1477-1488.
    Harris, D. B. (1963). Children’s drawings as measures of intellectual maturity. New York, NY: Harcourt, Brace & World.
    Hubbard, R. (1990). There’s more than black and white in literacy’s palette: Children’s use of color. Language Arts, 67(5), 492-500.
    International Work Group for Indigenous Affairs(2014). Indigenous peoples in Malaysia. Retrieved from https://www.iwgia.org/en/malaysia
    Ivashkevich, O. (2009). Children’s drawing as a sociocultural practice: Remaking gender and popular culture. Studies in Art Education, 51(1), 50-63.
    Jolly, R. P. (2010). Children & Pictures: Drawing and understanding. London, UK: Wiley-Blackwell.
    Jolley, R. P., Barlow, C. M., Rotenberg, K. J., & Cox, M. V. (2016). Linear and U-shape trends in the development of expressive drawing from preschoolers to normative and artistic adults. Psychology of Aesthetics, Creativity, and the Arts, 10(3), 309-324.
    Kantner, L. A., & Hoffman, S. (1992). Parents’ perception of their children’s early art experience. Visual Arts Research, 18(1), 50-56.
    Kellogg, R. (1969). Analyzing children’s art. Mountain View, CA: Mayfield.
    Kendrick, M., & McKay, R. (2004). Drawings as an alternative way of understanding young children’s constructions of literacy. Journal of Early Childhood Literacy, 4(1), 109-128.
    La Voy, S. K., Pedersen, W. C., Reitz, J. M., Brauch, A. A., Luxenberg, T. M., & Nofsinger, C. C. (2001). Children’s drawings: A cross-cultural analysis from Japan and the United States. School Psychology International, 22(1), 53-63.
    Levin, I., & Bus, A. G. (2003). How is emergent writing based on drawing? Analyses of children’s products and their sorting by children and mothers. Developmental psychology, 39(5), 891-905.
    Lowenfeld, V., & Brittain, W. L.(1987). Creative and Mental Growth, eighth edition. New York, NY: Macmillan.
    Luquet, G. H. (2001). Children’s Drawings (A. Costall, Trans.). London, UK: Free Association Books.(Original work published 1977)
    Lyons, K. (2004). Malaysian children’s favourite stories. HK: Tuttle Publishing.
    Malchiodi, C. A. (1998). Understanding children’s drawings. New York, NY: Guilford Press.
    Martlew, M., & Connolly, K. J. (1996). Human figure drawings by schooled and unschooled children in Papua New Guinea. Child development, 67(6), 2743-2762.
    Masron, T., Masami, F., & Ismail, N. (2013). Orang Asli in Peninsular Malaysia: Population, spatial distribution and socio-economic condition. Journal of Ritsumeikan, Social Sciences and Humanities, 6, 75-115.
    Matthews, J. (1984). Children drawing: Are young children really scribbling?. Early child development and care, 18(1-2), 1-39.
    McLoyd, V. C. (1982). Social class differences in sociodramatic play: A critical review. Developmental Review, 2(1), 1-30.
    Md-Yunus, S. (2013, March). Early education and development in Malaysia: Issues and challenges in providing a framework for a multiethnic society. Retrieved from https://thekeep.eiu.edu/
    Metin, Ö., & Üstün, E. (2010). Reflection of sibling relationships into the kinetic family drawings during the preschool period. Procedia-Social and Behavioral Sciences, 2(2), 2440-2447.
    Ozer, S. (2009). Turkish children’s human figure drawings: Can we borrow norms?. Educational Psychology, 29(6), 701-712.
    Paget, G. (1932). Some drawings of men and women made by children of certain non-European races. The Journal of the Royal Anthropological Institute of Great Britain and Ireland, 62, 127-144.
    Papandreou, M. (2014). Communicating and thinking through drawing activity in early childhood. Journal of Research in Childhood Education, 28(1), 85-100.
    Pariser, D., & van den Berg, A. (1997). The mind of the beholder: Some provisional doubts about the U-curved aesthetic development thesis. Studies in Art Education, 38(3), 158-178.
    Pearson, P. (2001). Towards a theory of children’s drawing as social practice. Studies in Art Education, 42(4), 348-365.
    Putih, A. T. (2002). Is children’s representation of pictorial depth in drawings a naturally-acquired trait?. Visual Arts Research, 28(1), 24-37.
    Perlembagaan Persekutuan Malaysia (1963).
    Ring, K. (2006). What mothers do: Everyday routines and rituals and their impact upon young children’s use of drawing for meaning making. International Journal of Early Years Education, 14(1), 63-84.
    Rose, S. E., Jolley, R. P., & Burkitt, E. (2006). A review of children’s, teachers’ and parents’ influences on children’s drawing experience. International Journal of Art & Design Education, 25(3), 341-349.
    Rose, S. E., Jolley, R. P., & Charman, A. (2011). An investigation of the expressive and representational drawing development in National Curriculum, Steiner, and Montessori schools. Psychology of Aesthetics, Creativity, and the Arts, 6(1), 1-13.
    Roysircar, G., Colvin, K. F., Afolayan, A. G., Thompson, A., & Robertson, T. W. (2017). Haitian children’s resilience and vulnerability assessed with House-Tree-Person (HTP) drawings. Traumatology, 23(1), 68-81.
    Rübeling, H., Keller, H., Yovsi, R. D., Lenk, M., Schwarzer, S., & Kühne, N. (2011). Children’s drawings of the self as an expression of cultural conceptions of the self. Journal of Cross-Cultural Psychology, 42(3), 406-424.
    Shaban, M. S. (2013). The effect of religion on the illustrations and images of Arab children. International Journal of Business and Social Science, 4(4), 138-150.
    Soundy, C. S., & Drucker, M. F. (2010). Picture partners: A co-creative journey into visual literacy. Early Childhood Education Journal, 37(6), 447-460.
    Statistics, D. O. (2010a). Population distribution and basic demographic characteristics, 2010. Retrieved from https://www.mycensus.gov.my
    Statistics, D. O. (2010b). Population distribution by local authority areas and mukims, 2010. Retrieved from https://www.mycensus.gov.my
    Statistics, D. O. (2018). Current population estimates Malaysia, 2017-2018. Retrieved from https://www.dosm.gov.my
    Strommen, E. (1988). A century of children drawing: The evolution of theory and research concerning the drawings of children. Visual Arts Research, 13-24.
    Subramaniam, M., Hanafi, J., & Putih, A. T. (2016). Teaching for art criticism: Incorporating Feldman’s critical analysis learning model in students’ studio practice. Malaysia online journal of educational technology, 4(1), 57-67.
    Sulzby, E., Barnhart, J., & Hieshima, J. (1988). Forms of writing and rereading from writing: A preliminary report (Tech. Rep. No. 437). Champaign, IL: University of Illinois at Urbana-Champaign, Children’s Research Center.
    Tee, O. P. (2005). A comparative study of Malay-operated and Chinese-operated childcare centres in the State of Melaka, Malaysia. Child Care in Practice, 11(1), 23-38.
    Teoh, L. F (2011, December 8). Pemulihan Khas Sekolah Rendah [Digital image]. Retrieved from https://bit.ly/2Crgr1W
    Thompson, C. M. (2003). Kinderculture in the art classroom: Early childhood art and the mediation of culture. Studies in Art Education, 44(2), 135-146.
    Tourism Malaysia (2019). Batik [Web log post]. Retrieved from https://bit.ly/2EYi9vN
    Tudge, J. R., Doucet, F., Odero, D., Sperb, T. M., Piccinini, C. A., & Lopes, R. S. (2006). A window into different cultural worlds: Young children’s everyday activities in the United States, Brazil, and Kenya. Child development, 77(5), 1446-1469.
    Vygotsky, L. S. (1978). Mind in society: The development of higher psychological processes. London, UK: Harvard University Press.
    Vygotsky, L. S. (2004). Imagination and creativity in childhood. Journal of Russian and East European Psychology, 42(1), 7-97.
    Vygotsky, L. S. (1962/2012). Thought and language. London, UK: MIT press.
    Willats, J. (1977). How children learn to draw realistic pictures. Quarterly Journal of Experimental Psychology, 29(3), 367-382.
    Wilson, B., & Wilson, M. (1984). Children’s drawings in Egypt: Cultural style acquisition as graphic development. Visual Arts Research, 10(1), 13-26.
    Winner, E. (1989). How can Chinese children draw so well?. Journal of Aesthetic Education, 23(1), 41-63.
    Winner, E., & Gardner, H. (1981). The art in children’s drawings. Review of Research in Visual Arts Education, 7(2), 18-31.
    Yang, H. C., & Noel, A. M. (2006). The developmental characteristics of four-and five-year-old pre-schoolers’ drawing: An analysis of scribbles, placement patterns, emergent writing, and name writing in archived spontaneous drawing samples. Journal of Early Childhood Literacy, 6(2), 145-162.

    無法下載圖示 電子全文延後公開
    2025/02/28
    QR CODE