詞曲創作如同一首歌曲的創意種子，代表歌曲最原始的精神，也最能直接 表現一位創作歌手是怎麼樣的人，其思想及特色對於最終成品有決定性的影 響，因此筆者選擇研究詞曲這項環節的產生方法，以音樂會《新生兒》中曲目 作為對象，來探究創作歌手要如何在市場上佔有其獨特性，以及創作成果與方 法間交互影響的關係。音樂會共八首原創詞曲作品，環繞在新生兒的主題概念 上，透過創作表現出成長過程的蛻變，除了表達踏入世界之所思所感，也象徵 每個人都有過的經歷―社會化。為能貼切傳達八首作品的氛圍，音樂會的編制 會使用 DJ 搭配電吉他的方式，在曲目間快速轉換，做出不同的音場效果。
透過上述探析的過程，筆者明白在創作路上是一個持續修煉的過程，要如 何穩定的產出獨樹一幟的作品是件不容易的事，除了調整心態用對方法之外， 時間規劃上也必須有所取捨，對於作品的期許及視野，也會直接影響到作品成 果，除了性格及機運之外，抱持著什麼樣的心態至關重要，會直接影響作品及 職場生涯。如何成為無可取代的創作歌手，展現市場的獨特性，需要保有高度 敏銳及擁有明確喜好。突破慣性及盲點則需要自省能力，除了需要在專業領域 擁有一顆持續學習的心之外，有時也需要拓展人脈，認識不同的合作夥伴也會 有意想不到的創意火花，帶著感恩、愉悅的心情也較能在音樂路上走的長遠。 文本中也會分享筆者的音樂歷程，包括創作心情及作品理念等等。若能透過此 文本，帶給同為音樂人的朋友們一些成長養分，會是筆者莫大的喜悅及榮幸， 願大家都能誠實面對自己，在疲憊卻滿足的創作過程中自我成長。

Songwriting is just like the creative seed of a song. It represents the original spirit of the songwriters, but also showed the most direct expression of who a singer-song- writer is. The thoughts and characteristics of songwriters have a decisive influence on the final product. Therefore, the author chose to study the production method of this key link. Taking the tracks in the author's concert "Newborn" as the object, we explore how the singer-songwriter should occupy its uniqueness in the market and the relation- ship between the creative achievements and the method. There are eight original song works in this concert. Surrounding the concept of the newborn, the creative process of a songwriter shows the transformation of the growth process. In addition to expressing the thoughts and feelings of entering the world, it also symbolizes the experience eve- ryone has had-socialization. In order to properly convey the atmosphere of the eight works, the concert "Newborn" will use DJ and electric guitar to quickly switch between the tracks and make different sound field effects.
Through the process mentioned above of analysis, the author understands that it is a continuous cultivation process on the way of creation. How to produce unique works stably is not easy. In addition to adjusting the mentality to the right method, there must be some trade-offs in time planning. The expectations and vision of the work will also directly affect the work's achievements. In addition to character and luck, what kind of mentality you hold is essential and will directly affect your work and career. How to become an irreplaceable singer-songwriter and show the uniqueness of the market? The answer is: artists themselves need to be highly sensitive and have clear preferences. Breaking through inertia and blind spots requires introspection. In addition to the need to have a continuous learning heart in the professional field, sometimes it is necessary to expand the network, and knowing different partners will also have unexpected crea- tive sparks. With a grateful and happy mood, they can also go a long way on the music career. The text will also share the author's music history, including creative mood and work concept. It would be a great joy and honor for the author to bring some growth nutrients to the friends who are also musicians through this text. I hope everyone can face themselves honestly and grow up in a tired but contented creative process.

一、中文專書
林奕含(2017)。房思琪的初戀樂園。臺北市:游擊文化股份有限公司。
韓森(2019)。來韓老師這裡學饒舌。臺北市:時報文化出版企業股份有限公
司。
陳採雲、潘寧(2007)。圍棋小魔女。臺北市:旗林文化出版社有限公司。
二、英文專書
Bessel van der Kolk M.D(2014), The Body Keeps the Score, Penguin Books
Daniel J. Levitin(2006), This is Your Brain on Music, USC: Dutton Penguin
Dr. David R. Hawkins(2014), Power vs. Force, US:Hay House Inc.
Julia Cameron (1992), The Artist‘s Way: A Spiritual Path to Higher Creativity, USA: Jeremy P. Tarcher/Perigee
三、學位論文
林岱偉(2016)。音樂數位化下台灣流行音樂產業的因應策略研究。國立中山 大學，高雄市。
許英忠(2012)。文創產業-音樂工作室經營策略與商業模式發展之研究。國立 交通大學，臺北市。
陳採雲(2015)。圍棋女職業棋士自我概念與自我效能之研究。國立臺灣師範 大學，臺北市。
四、網路資訊
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陳奕文(2017)。自由工作者好爽好隨意?FLiPER 創辦人:做不到這 4 點，那 就別幹了。科技報橘。上網日期 2020 年 4 月 24 日，檢自:
https://buzzorange.com/techorange/2017/11/09/some-problems-for-freetime- worker/
揚威宇(2018)。在倫敦的台灣音樂製作人:那些唱片公司永遠不會告訴你的 故事。換日線。上網日期 2020 年 4 月 20 日，檢自:https://crossing.cw.com.tw/article/10207?fbclid=IwAR3uLTW1fhwdMHazW-tijX6yUNnRl1FHrgLg_ze9t7MwsWW_YurfOm2E7Fc8
楊偉成(2016)。【馬世芳 X 瑪莎】我們是這樣看中文歌詞的。Shopping De- sign。上網日期:2020 年 4 月 7 日。檢自:https://www.shoppingde-sign.com.tw/post/view/361
蔡育豪(2019)。圍棋讓我一生不寂寞。頻果即時。上網日期:2020 年 3 月 10 號。檢自:https://tw.apple- daily.com/life/20191024/VO4Q3ODOYQ4K2ZUVP2LGXQATUA/
Mr.Wuli(2014)。0 樂理也能懂，關於編曲時的 8 種段落名稱。LiSWEi。上網 日期:2020 年 4 月 9 日。檢自:https://liswei.com/tw/song-structure/
George Hong(2017)。【音樂中的性別】不露臉歌姬 Sia:我不在意你的性 別，我在意的是你這個人。性別力。上網日期 2020 年 4 月 10 日，檢自:https://womany.net/read/article/13616
Tiffany Jenkins(2014)。Why does music evoke memories。BBC Culture。上網 日期:2020 年 3 月 29 號。檢自: http://www.bbc.com/culture/story/20140417-why-does-music-evoke-memories