Author: |
林秀蓁 Lin, Hsiu-Chen |
---|---|
Thesis Title: |
「介於中間」與歷史議題─華特‧班雅明《拱廊街計劃》研究 'Intervening' and the Issue of History─The Study of Walter Benjamin’s The Arcades Project |
Advisor: |
陳瑞文
Chen, Zuei-Wen |
Degree: |
碩士 Master |
Department: |
美術學系 Department of Fine Arts |
Thesis Publication Year: | 2016 |
Academic Year: | 104 |
Language: | 中文 |
Number of pages: | 162 |
Keywords (in Chinese): | 班雅明 、拱廊街計劃 、介於中間 、碎片 、歷史 、青年藝術風格 、鐵造建築 、收藏家 |
Keywords (in English): | Walter Benjamin, The Arcades Project, intervening, detritus, history, Jugendstil, iron construction, collector |
DOI URL: | https://doi.org/10.6345/NTNU202204599 |
Thesis Type: | Academic thesis/ dissertation |
Reference times: | Clicks: 234 Downloads: 59 |
Share: |
School Collection Retrieve National Library Collection Retrieve Error Report |
本文根據《拱廊街計劃》(The Arcades Project, Das Passagen-Werk)一書,旨在解析華特‧班雅明(Walter Benjamin, 1892-1940)反歷史主義的視野,探究其「碎片」、「介於中間」等概念。
班雅明認為,習慣處於簡化的歷史脈絡下,易對現實無感。因此,他以碎片摘錄的形式佈排《拱廊街計劃》,並藉由不同碎片組成的「介於中間」,收納歷史、社會、時代下隱藏的部份,還原現代社會和歷史的碎片聚集空間。其目的在於發掘可見歷史縫隙中,為數眾多卻被刪除的歷史;換言之,以此目的視為寫作動機的《拱廊街計劃》,可以說就是眾多「介於中間」之聚合體。
本研究採取抽樣方法,從《拱廊街計劃》中選取四章節深入分析,耙梳「青年藝術風格」、「鐵造建築」、「賭博與賣淫」、「收藏家」等四項主題和班雅明歷史觀點之關聯:憑藉「介於中間」具備的拒絕排除、無法解釋、以及去除功能性等特質,探討班雅明如何藉由十九世紀巴黎的藝術、建築、文學、社會等碎片,呈現「介於中間」的歷史,釋出另一種歷史描述方式,進而析論班雅明面對歷史議題的立場及作法。
This thesis based on Walter Benjamin’s The Arcades Project mainly focuses on the view towards anti-historism and explores the concept of ‘detritus’ as well as ‘intervening’.
Benjamin claimed that people would ignore what happened in reality under the scheme of simplified history. As a result, he established The Arcades Project by the form of detrital extraction, and collected concealed parts of history, society, and epoch through ‘intervening’ which consists of different detritus in order to take a reduction of gathering space from modern society and history. Its purpose aims at excavating numbers of deleted history via the chink of visible history; in other words, the purpose is considered to be the motivation of The Arcades Project, i.e. numerous collective of ‘intervening’.
Consequently, this thesis adopts sampling technique as a method to dissect four chapters of The Arcades Project and attempts to find relations of Benjamin’s historical standpoint from the following four subjects: ‘Jugendstil,’ ‘Iron Construction,’ ‘Gambling and Prostitution,’ and ‘Collector’. Relying on characteristic of ‘intervening’ including refusing exclusion, inexplicable, detaching objects from functions, this thesis could investigate Benjamin how to present ‘intervening’ history by means of art, architecture, literature, and society in Paris among nineteenth century. Furthermore, it not only expands another historical description, but demonstrates the position and practice Benjamin confronted.
一、專書
(一)班雅明著作
華特‧班雅明(Walter Benjamin),王才勇譯,《單行道》(One-Way Street ),江蘇人民出版社,2006。
華特‧班雅明(Walter Benjamin),張旭東、魏文生譯,《發達主義時代的抒情詩人:論波特萊爾》(Charles Baudelaire: A Lyric Poet in the Era of High Capitalism),臺北市:臉譜城邦文化,2010。
華特‧班雅明(Walter Benjamin),張旭東、王斑譯,《啟迪:班雅明文選》(Illuminations),牛津大學出版社,2012。
華特‧班雅明(Walter Benjamin),王涌譯,《柏林童年》(Berliner Kindheit um Neunzehundert),臺北市:麥田城邦文化,2012。
Benjamin, Walter. Illuminations, ed. and with an 'Introduction' by Hannah Arendt, trans. by Harry Zohn, London: Fontana, 1973.
---. One-Way Street and Other Writings, Trans. by Edmund Jephcott and Kingsley Shorter, NLB: Great Britain, 1979.
---. The Correspondence of Walter Benjamin: 1910-1940, Gershom Scholem and Theodor W. Adorno eds. and annotated, trans. by Manfred R. Jacobson and Evelyn M. Jacobson, Chicago: The University of Chicago Press, 1994.
---. The Arcades Projects (Das Passagen-Werk), trans. by Howard Eiland and Kevin McLaughlin, Cambridge, Massachusetts, and London, England: The Belknap Press of Harvard University Press, 1999.
(二)班雅明相關研究
安東尼‧紀登斯(Anthony Giddens),胡宗澤、趙力濤譯,《民族──國家與暴力》(The Nation-State and Violence),臺北縣:左岸文化,2002。
石計生,《閱讀魅影:尋找後班雅明精神》,臺北:群學出版社,2007。
西格弗里德‧基提恩(Sigfried Giedion),《時空與建築:一個新傳統的成長》(Space, Time and Architecture: The Growth of a New Tradition),劉英譯,臺北市:銀來,1972。
居伊‧德波(Guy Ernest Dobord),《景觀社會》(La Societe du Spectacle),王昭風譯,南京:南京大學出版社,2006。
特里‧伊格爾頓(Terry Eagleton),郭國良、陸漢臻譯,《瓦爾特‧本雅明或走向革命批判》(Walter Benjamin or towards a Revolutionary Criticism),北京:商務印書館,2015。
陳瑞文,《美學革命與當代徵候評述》,臺北市:北市美術館,2002。
理查德‧沃林(Richard Wolin),《瓦爾特‧本雅明:救贖的美學》,吳永立、張亮譯,南京:江蘇人民出版社,2008。
湯姆‧巴托莫爾(Tom Bottmomre),廖仁義譯,《法蘭克福學派》(The Frankfurt School),台北市:桂冠,1991。
廚川白村,《西洋近代文藝思潮》,陳曉南譯,臺北市:志文,1976。
Buck-Morss, Susan. The Dialects of Seeing: Walter Benjamin and the Arcades Project, The MIT Press, 1990.
Cohen, Margaret. Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution, Barkeley and Los Angles: University of California Press, 1993.
Eagleton, Terry. Walter Benjamin or towards a Revolutionary Criticism, NLB: London, 1981.
Eiland, Howard, and Jennings, Michael W.. Walter Benjamin: A Critical Life, Belknap Press, 2014.
Fischer, Gerhard. Ed. ‘With the Sharpened Axe of Reason’: Approaches to Walter Benjamin, BERG, 1996.
158
Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City, Polity Press, 1996.
Gilloch, Graeme. Walter Benjamin: Critical Constellations, UK: Polity Press, 2002.
Harvey, David. Paris, Capital of Modernity, Routledge, New York and London, 2003.
Leslie, Esther. Walter Benjamin, Reaktion Books, 2007.
McCole, John. Walter Benjamin and the antinomies of tradition, Cornell University Press: Ithaca and London, 1993.
Marcus, Laura and Nead, Lynda. Eds. The Actuality of Walter Benjamin, Lawrence & Wishart: London, 1998.
Richter, Gerhard. Ed. Benjamin’s Ghosts: Interventions in Contemporary Literary and Cultural Theory, Stanford University Press, 2002.
Tackels, Bruno. Walter Benjamin: Une vie dans les textes, Actes Sud, 2009.
Wolin, Richard. Walter Benjamin: An Aesthetic of Redemption, Columbia University Press: New York, 1982.
Zola, Emile. trans. by Andrew Rothwell, Thérèse Raquin, Oxford University Press: New York, 1992.
二、期刊論文
王人英,〈班雅明筆下的《新天使》密碼〉,《世安美學論叢系列 I:2008-2013─在現代性的廢墟上》,2000,頁17-82。
石計生,〈機械捕捉的美感──從班雅明(Walter Benjamin)談艾森斯坦電影蒙太奇〉,《當代》,第76期,頁 85-97,2003。
邱誌勇,〈網路空間的影像政治:從數位化藝術影像談起〉,《資訊社會研究》,第15期(2008/07),頁 115-152。
林純如,〈如何審視藝術?以阿多諾與班雅明「文化工業」之美學分析〉,《美學與藝術管理研究所學刊》第4期,2008。
段祥貴、麥永雄,〈本雅明城市美學:拱廊計劃與梧州騎樓的空間理論闡釋〉,《南方文壇》,02期(2013/07),頁 55-59。
張錦忠,〈言本的傳譯性與譯人的天職──班雅明(Walter Benjamin)語言哲學翻譯初論〉,《當代》,第68期(1991),頁 88-99。
高千惠,〈物象有覺的班雅明〉,《藝術家》,第 385 期(2007),頁 268-275。
馬維娜,〈幸福:一種相似的“拱廊街計劃”〉,《教育學報》,第4卷第1期(2008/02),頁3-8。
高千惠,〈「班雅明計畫之後」:當代仿挪藝術的複製與生產之思考〉,《藝術觀點》,第46期(2011),頁 128-135。
張旭東,〈從資產階級世紀中甦醒〉,《啟迪:本雅明文選》(2012),頁 1-24。
陳瑞文,〈關於班雅明(W. Benjamin)的「巴黎──十九世紀的首都」〉,《台北市立美術館現代美術雙月刊》,第65期(1996),頁 36-42。
陳瑞文,〈靈光消逝與前衛藝術──班雅明對於技術世紀的悲觀預言〉,《藝術觀點》,第3期(1999),頁 87-91。
陳瑞文,〈德勒茲創造理論的非人稱與非人稱性〉,《國立政治大學哲學學報》第二十五期(2011年1月),頁 1-45。
莊佳妮,〈論本雅明《拱廊街計畫》的批判語境〉,《江南大學學報(人文社會科學版)》,第5期(2013),頁68-73。
曹筱玥,〈以班雅明機械複製時代美學觀談數位互動裝置之創作內涵〉,《藝術論衡》復刊第7期,頁77-94,2015。
楊猛,〈Arcade:歐洲現代商業空間的原型〉,《室內空間》第2010卷第2期(2010/04),頁55-57。
劉紀蕙,〈談《啟迪:本雅明文選》一九九八年以中文出版之意義〉,《中央日報 副刊閱讀版》(1999/07/01)。
葛休姆‧肖洛姆、狄奧多‧阿多諾(Gershom Scholem and Theodor W. Adorno)編,蔣洪生譯,〈阿多諾、本雅明通信選〉,《藝術時代》,2013 年第9期,頁112-121。
蔡翔任,〈技術、靈光、與政治擬造──海德格與班雅明〉,《哲學雜誌》,第 35期(2001),頁 144-180。
韓見,〈賽博空間的“下意識角色”──以“拱廊街”為情境的分析〉,《棗莊學院學報》第27卷第1期(2010/02),頁29-36。
蘇珊‧桑塔格(Susan Sontag),〈土星座下〉,《土星座下:桑塔格評論文集》,廖思逸、陳耀成、姚君偉譯,台北市:麥田出版(2007),頁 139-176。
譚崢,〈拱廊及其變體──大眾的建築學〉,《新建築》,第1期(2014/03),頁 40-44。
Bauman, Zygmunt. “Walter Benjamin, the Intellectual,” The Actuality of Walter Benjamin, edited by Laura Marcus and Lynda Nead, Lawrence & Wishart: London, 1998.
Berithaupt, Fritz. “History as the Delayed Disintegration of Phenomena,” Benjamin’s Ghosts: Interventions in Contemporary Literary and Cultural Theory, Stanford University Press, 2002
Chia-Chi, Lin et al. “Diogenes Syndrome: Social Breakdown of the Elderly,” Taiwanese J Psychiatry 22: 3, 2008.
Frisby, David. “Walter Benjamin‟s Prehistory of Modernity as Anticipation of Postmodernity? Some Methodological Reflections,” „With the Sharpened Axe of Reason’: Approaches to Walter Benjamin, Ed. by Gerhard Fischer, BERG, 1996.
Holt, Elizabeth Gilmore. Eds. “Leon Battista Alberti „On Architecture‟,” A Documentary History of Art, Princeton U.P., 1982, 218-220.
Jay, Martin. “Experience without a Subject: Walter Benjamin and the Novel,” The Actuality of Walter Benjamin, edited by Laura Marcus and Lynda Nead, Lawrence & Wishart: London, 1998.
Sontag, Susan. “Under the Sign of Saturn”, Under the Sign of Saturn, New York: Vintage Books, 1981.
Tiedmann, Rolf. “Dialectics at a Standstill: Approaches to the Passagen-Werk”, The Arcades Project, Harvard University Press, 1999.
161
Tiedmann, Rolf. trans. by Gary Smith and André Lefevere, „Dialectics at a Standstill: Approaches to the Passagen-Werk‟, in The Arcades Project, p.929-945, Harvard University Press, 1999.
三、碩博士論文
黃惠華,〈翻譯/轉形:論華特‧班雅明[譯者之責]〉,清華大學外國語文學系碩士論文,1996。
馮艷,〈淺析本雅明在現代性語境下的兩難境地〉,復旦大學外國哲學碩士論文,2005。
楊心怡,〈獨樂樂?眾樂樂?從網路拍賣探討網路時代的新消費體驗〉,政治大學新聞研究所碩士論文,2006。
蔡翔任,〈記憶與救贖──論班雅明的歷史哲學〉,台灣大學哲學研究所碩士論文,2002。
蔡昀婷,〈都會中心商業區人行徒步空間系統的真實與想像〉,台灣大學園藝學研究所碩士論文,2013。
四、網路資料
David Ferris, “David Ferris reviews Walter Benjamin: A Critical Life,” review of Walter Benjamin: A Critical Life, by Howard Eiland and Michael W. Jennings, Chicago Journals, July 09, 2015, Critical Inquiry, http://criticalinquiry.uchicago.edu/david_ferris_reviews_walter_benjamin_a_cri tical_life/.
T. J. Clark, “Reservations of the Marvellous,” London Review of Books, vol. 22, no. 12, 22 June, 2000, http://www.lrb.co.uk/v22/n12/tj-clark/reservations-of-the-marvellous.
〈巨變時代的世界觀──《讀書》十年文選座談會摘要〉,2007年10月04日。 http://www.snzg.cn/article/2007/1004/article_7217.html(檢閱日期:2015年1月12日)
“Le Grand Globe Céleste de Paris” http://exposition-universelle-paris-1900.com/Image:BAL05PAV012D.jpg(檢索日期:2015年2月28日)