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Author: 張以利
Thesis Title: 以十八世紀中葉小提琴教學法探討羅卡泰里《小提琴的藝術,作品三》之演奏詮釋
Advisor: 陳沁紅
Chen, Chinn-Horng
蔡佳璇
Tsai, Chia-Hsuan
Degree: 博士
Doctor
Department: 音樂學系
Department of Music
Thesis Publication Year: 2014
Academic Year: 102
Language: 中文
Number of pages: 193
Keywords (in Chinese): 十八世紀中葉小提琴教學法羅卡泰里傑米尼亞尼雷歐波德.莫札特塔悌尼
Thesis Type: Academic thesis/ dissertation
Reference times: Clicks: 182Downloads: 7
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  • 十八世紀極具代表性的小提琴家及作曲家羅卡泰里(Pietro Locatelli, 1695-1764),在當時得到「地震」的稱號,他的作品《小提琴的藝術,作品三》(L’arte del violin, op.3),不管以技術以及規模層面來看,都凌駕在當時的小提琴作品之上。《小提琴的藝術,作品三》不僅展現出小提琴技巧的突破,其中的隨想曲更被後人推斷為帕格尼尼(Nicolo Paganini, 1782-1840)寫作二十四首隨想曲的範本。
    如何做到正確的巴洛克音樂風格,筆者以當代具代表性的三部教學鉅作-傑米尼亞尼(Francesco Geminiani, 1687-1762)的《小提琴演奏的藝術》(The Art of Playing on the Violin)、雷歐波德.莫札特(Leopold Mozart, 1719-1787)的《小提琴演奏的基本原理》(A Treatise on the Fundamental Principles of Violin Playing)以及塔悌尼(Giuseppe Tartini, 1690-1760)的《裝飾音論著》(Traité des Agréments de la musique),與《小提琴的藝術,作品三》來做探討比較。本論文以此為方向,探討十八世紀義大利小提琴音樂發展、風格以及提琴音樂詮釋與技術之開發,並研究更深入的小提琴藝術以及音樂上的內涵。

    第一章 緒論……………………………………………………………1 第一節 研究動機…………………………………………………1 第二節 研究範疇與論文架構……………………………………4 第三節 文獻探討…………………………………………………7 第二章 十八世紀小提琴音樂研究……………………………………14 第一節 十八世紀小提琴音樂背景………………………………14 第二節 十八世紀的小提琴協奏曲型式…………………………21 第三節 十八世紀的小提琴教學法概況…………………………27 第三章 三大小提琴教學法之個別介紹………………………………33 第一節 傑米尼亞尼的教學法……………………………………33 第二節 塔悌尼的教學法…………………………………………45 第三節 莫札特的教學法…………………………………………57 第四節 三大教學法之異同………………………………………78 第四章 羅卡泰里提琴的藝術作品三…………………………………85 第一節 生平及其作品……………………………………………85 第二節 創作背景及樂曲特色……………………………………90 第三節 樂曲架構…………………………………………………94 第四節 《小提琴的藝術,作品三》之技巧歸納………………100 第五章 演奏風格與詮釋探討…………………………………………104 第一節 速度的選擇 ……………………………………………105 第二節 快慢板樂章的詮釋 ……………………………………115 第三節 隨想曲的演奏技巧 ……………………………………146 第四節 現代小提琴的巴洛克語法 ……………………………172 第六章 結語……………………………………………………………184 參考書目 ………………………………………………………………189 附錄 《小提琴的藝術,作品三》第十二號協奏曲總譜 …………193

    一、原典

    Burney, Charles, A General History of Music, from the Earliest Ages to the Present Period. London, 1789; Repr. ed. Frank Mercer, London: G.T. Foulis, 1935

    Burney, Charles. The Present State of Music in France and Italy. Londen: T. Becket & Co. Strand, 1771

    Corette, Michel. L’Ecoled’Orphee. Paris: L’auteur, 1738

    Corette, Michel. L’art De se perfectionner dans le Violon. Paris: L’auteur, 1782

    Geminiani, Francesco. The Art of Playing on the Violin. London: 1751. Facs. ed. D. Boyden, London: Oxford University Press, 1952

    Geminiani, Francesco.《小提琴演奏之藝術》(The Art of Playing on the Violin)。蕭心筠譯,
    中國文化大學,2011

    Geminiani, Francesco. Rules for playing in a true Taste on the Violin, German Flute, Violoncello, and Harpsichord, particularly the Thorough Bass. London: 1746. Facs. ed. C. Hoffmann, Münster: Mieroprint, 1990

    Tartini, Giuseppe. Traite des Agrement de la musique. Trans. Cuthbert Girdlestone and ed. Erwin Jacobi. Celle: Hermann Moeck Verlag, 1961

    Quantz, Johann J. Versuch einer Anweisung die Flöte traversiere zu spielen. Berlin: 1752 Trans. Edward Reilly. On playing the flute. 2nd ed. Boston: Northeastern University Press, 2001

    Mozart, Leopold. Versuch einer gründlichen Violinschule. Augsburg: 1756. Trans. E. Knocker. A Treatise on the Fundamental Principles of Violin Playing. 2nd ed. New York: Oxford University Press, 1951

    二、專書著作

    Abraham, Gerald. The New Oxford History of Music: Concert Music 1630-1750. Oxford: Oxford University Press, 1986

    Boyden, David D. The History of Violin Playing from its Origin to 1761 and its Relationship to the Violin and Violin Music. New York: Oxford University Press, 1990

    Buelow, George, ed. J. The Late Baroque Era: From the 1680s to 1740. Englewood Cliffs, N.J.:Prentice Hall College Div., 1993

    Cyr, Mary. Performing Baroque Music. Portland: Amadeus Press, 1992

    Damschroeder, David and Williams, David. D. Music Theory from Zarlino to Schenker: a
    Bibliography and Guide. New York: Pendragon Press, 1990

    Dunning, Albert. Pietro Antonio Locatelli: Der Virtuose und seine Welt. Buren: F. Knuf, 1981

    Gleason, Harold and Becker, Warren. Music in the Baroque. Bloomington: Frangipani Press Books, 1979

    Haynes, Bruce. The End of Early Music. New York: Oxford University Press, 2007

    Heartz, Daniel. Music in European Capitals: The Gallant Style, 1720-1780. New York: W.W. Norton & Company, Inc, 2003

    Hill, John. W. Baroque Music: Music in Western Europe 1580-1750. New York: W. W. Norton & Company, Inc, 2005

    Houle, George. Meter in Music, 1600-1800. Bloomington: Indiana University Press, 1987

    Kolneder, Walter. Das Buch der Violine. Trans. Reinhard G. Pauly. The Amadeus Book of the Violin. Portland: Amadeus Press, 1998

    Neumann, Frederick. Ornamentation in Baroque and Post: Baroque Music. Princeton : Princeton University, 1978

    Neumann, Frederick. Performance Practice of the Seventeenth and Eighteenth Centuries. New York: Schirmer Books, 1993

    Ott, Karin and Ott, Eugen. Handbuch der Verzierungskunst in der Musik. Berlin: G. Ricordi & Co., 2010

    Sadie, Julie. A. Companion to Baroque Music. Oxford: Oxford University Press, 1998

    Schröder, Jaap. Bach’s Solo Violin Works. New Haven: Yale University Press, 2007

    Veilhan, Jean-Claude. The Rules of Musical Interpretation in the Baroque Era. Paris: A. Leduc, 1979

    三、論文

    Scholz, Susanne. The international symposium of strings and strings education: Violin bowing
    according to 16th, 17th and some 18th century evidence in violin and general music treatise.(台北:中國文化大學,2010)

    四、期刊

    McVeigh, Simon.“Sounds Authentic”. The Strad. March, 1985

    Schröder, Jaap and Hogwood, Christopher.“The Developing Violin”. Early Music, 1979

    Walls, Peter.“Violin Fingering in the 18th Century”. Early music, 1984

    五、樂譜

    Locatelli, Pietro. L’arte del violin, Op.3. Amsterdam: K. Ch. Le Céne, 1733

    Corelli, Arcangelo. Violin Sonatas Op.5. Amsterdam: Estienne Roger, 1710

    六、影音資料

    A. Locatelli: Concertos for Violin, Strings and Continuo, Op.3, Arts Music, 1999, CD

    P. A. Locatelli: L’arte del Violino, Hyperion Records Limited, 1994, CD

    七、網路資訊
    Grove Music Online. http://www.oxfordmusiconline.com/public/

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